Jacques-Louis David (French, 1748–1825 雅克-路易·大衛：倡導嚴謹的輪廓、雕塑般的造型和光滑的表面。 " 18世紀80年代，大衛憑藉其冷峻的新風格，迅速躋身歐洲繪畫界的前沿。他的雄心壯志最終使他進入了新政府，並以近乎致命的忠誠為其效力。.....這位他那個時代最有影響力的畫家，獨自一人牢房，卻無法洞悉自己的內心。你知道，當政治淪為一場血腥的角逐時，這種情況就會發生。立法者必須做出絕對的投票：贊成或反對，生或死。但畫家──這正是他的力量，也是他的悲劇所在──可以給第三個答案：我真的不知道。 ")名畫《馬拉之死》(Mort de Marat) 《蘇格拉底之死》| 1787。 華特‧弗里德蘭德著《從大衛到德拉克羅瓦》；諾曼·布萊森著《傳統與慾望：從大衛到德拉克羅瓦》 David to Delacroix by Walter Friedlaender; Tradition and Desire: From David to Delacroix By Norman Bryson

 Jacques-Louis David (French, 1748–1825   雅克-路易·大衛：倡導嚴謹的輪廓、雕塑般的造型和光滑的表面。)名畫《馬拉之死》(Mort de Marat)  《蘇格拉底之死》| 1787。  華特‧弗里德蘭德著《從大衛到德拉克羅瓦》；諾曼·布萊森著《傳統與慾望：從大衛到德拉克羅瓦》  David to Delacroix by Walter Friedlaender; Tradition and Desire: From David to Delacroix By Norman Bryson 

正是這種自我盲目，讓我最珍惜大衛──我最深沉也最不該愛的人。這位他那個時代最有影響力的畫家，獨自一人牢房，卻無法洞悉自己的內心。

你知道，當政治淪為一場血腥的角逐時，這種情況就會發生。立法者必須做出絕對的投票：贊成或反對，生或死。但畫家──這正是他的力量，也是他的悲劇所在──可以給第三個答案：我真的不知道。

It is that self-blindness I have come to value most in David, my deepest and wrongest love. The most influential painter of his time, all alone in his cell, cannot penetrate his own heart.

It can happen, you know, when politics becomes a bloodsport. The legislator must vote absolutely: aye or nay, life or death. But the painter — here is his power, and also his tragedy — can give a third answer: I just don’t know.

18世紀80年代，大衛憑藉其冷峻的新風格，迅速躋身歐洲繪畫界的前沿。他的雄心壯志最終使他進入了新政府，並以近乎致命的忠誠為其效力。

In the 1780s, David rocketed to the forefront of European painting with a severe new style of depiction. His ambitions led him all the way into a new government, which he served with lethal devotion.

David to Delacroix

Walter Friedlaender

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Tradition and Desire: From David to Delacroix

Norman Bryson
CUP Archive, 1984/08/23 - 228 ページ

Tradition and Desire: From David to Delacroix Cambridge Studies in French 第 第 5 巻 巻, ISSN 0950-6322 Cambridge paperback library London Mathematical Society Lecture Notes
著者	Norman Bryson

In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.

目次

David and the problem of inheritance	32
The Oath of the Horatii	63
Ingres in the atelier of David	85
Tradition and Desire	124

Desire in the Bourbon Library	176
Delacroix Archimedes Killed by the Soldier Palais	183
Epilogue	213
著作権 多く使われている語句 Antiochus and Stratonice Antiquity Apollodorus Archimedes artist ATELIER OF DAVID Attila become belatedness Belisarius blindness body BOURBON LIBRARYCimabue classical coherence culture cycle Death of Seneca Delacroix discourse displacement dome exactly exist figures Fornarina frieze gaze Giotto GombrichGreuze history painting Horatii illustration Ingres inheritance Intervention Jacques-Louis David Jean de Bruges La Fornarina latecoming lookMadonna male Marat Mars and Minerva mirror Mme Moitessier Muse narrative nature Oath Odalisque Odalisque a I'esclave organisation original OrpheusOrpheus and Attila painter painting's Palais Bourbon Paris past perception perhaps Peyron Phidias Pliny portrait portraiture Poussin precursors presentquotation Raphael recognition representation reverse Riviere rococo schema seen sense sexual sight signs Sistine Sistine Ceiling sitter social Socrates spacespatial St Roch Stratonice style stylistic temporal TRADITION AND DESIRE tradition's trope Vasari veduta viewer visible vision VISIONARY DELAYS visual field Zeuxian Zeuxis 華特‧弗里德蘭德著《從大衛到德拉克羅瓦》；諾曼·布萊森著《傳統與慾望：從大衛到德拉克羅瓦》 雅克路易大衛（法國，1748–1825）名畫《馬拉之死》 大衛倡導嚴謹的輪廓、雕塑般的造型和光滑的表面。了解更多關於他在藝術史上的地位，並觀看幻燈片：http://met.org/1fIt0YB 雅克路易大衛（法國，1748–1825）|《蘇格拉底之死》| 1787 金貝爾藝術博物館 歡迎參加週五晚間6點由托馬斯·E·克勞主講的免費特別講座。克勞將探討雅克-路易·大衛的流亡以及隨後透過金貝爾博物館收藏的悲劇作品《阿喀琉斯的憤怒》實現的藝術復興。 David to Delacroix by Walter Friedlaender; Tradition and Desire: From David to Delacroix By Norman Bryson   Jacques-Louis David (French, 1748–1825   雅克-路易·大衛)名畫《馬拉之死》(Mort de Marat) David championed a style of rigorous contours, sculpted forms, and polished surfaces. Learn more about his role in art history and view a slideshow: http://met.org/1fIt0YB Jacques Louis David (French, 1748–1825) | The Death of Socrates | 1787 Kimbell Art Museum Join us Friday night at 6 p.m. for the free special lecture by Thomas E. Crow. Crow will discuss Jacques-Louis David’s exile and subsequent artistic rejuvenation through the tragic “Anger of Achilles,” in the Kimbell’s collection. 雅克-路易·大衛(Jacques-Louis David)名畫《馬拉之死》(Mort de Marat)是一個凶殺案現場，但浴缸里卻看不到馬拉。 More images Jacques-Louis David Painter Jacques-Louis David was an influential French painter in the Neoclassical style, considered to be the preeminent painter of the era. Wikipedia Born: August 30, 1748, Paris, France Died: December 29, 1825, Brussels, Belgium Period: Neoclassicism British Museum Jacques-Louis David died ‪#‎onthisday‬ in 1825. Here’s his portrait of Brutus http://ow.ly/G70vX

Jacques-Louis David (French, 1748–1825 雅克-路易·大衛)名畫《馬拉之死》(Mort de Marat)

David championed a style of rigorous contours, sculpted forms, and polished surfaces. Learn more about his role in art history and view a slideshow: http://met.org/1fIt0YB
Jacques Louis David (French, 1748–1825) | The Death of Socrates | 1787


Kimbell Art Museum

Join us Friday night at 6 p.m. for the free special lecture by Thomas E. Crow. Crow will discuss Jacques-Louis David’s exile and subsequent artistic rejuvenation through the tragic “Anger of Achilles,” in the Kimbell’s collection.

雅克-路易·大衛(Jacques-Louis David)名畫《馬拉之死》(Mort de Marat)是一個凶殺案現場，但浴缸里卻看不到馬拉。

1. 1. More images
2. Jacques-Louis David

   Painter
3. Jacques-Louis David was an influential French painter in the Neoclassical style, considered to be the preeminent painter of the era. Wikipedia
5. Born: August 30, 1748, Paris, France
6. Died: December 29, 1825, Brussels, Belgium
7. Period: Neoclassicism

British Museum

Jacques-Louis David died ‪#‎onthisday‬ in 1825. Here’s his portrait of Brutus http://ow.ly/G70vX