The sculptor Arthur Kern socializes so rarely that his former students long believed he was dead. His current mesmerizing show at theOgden Museum of Southern Art—at once a debut and a retrospective—at long last brings his work to the public.
“What Kern must feel upon seeing his mythic visions, his inner demons, exposed for the world—or at least New Orleans—to see, we can only guess,” writes Nathaniel Rich.
“What Kern must feel upon seeing his mythic visions, his inner demons, exposed for the world—or at least New Orleans—to see, we can only guess,” writes Nathaniel Rich.
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