The Art of Exclusion: Representing Blacks in Nineteenth Century
The Art of Exclusion: representing blacks in the nineteenth century
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http://www.imageoftheblack.com/volumes.html
https://www.youtube.com/watch?v=9QIAbKa4USs
2014/12/07 - Dominique de Menil's monumental archival project of collecting and documenting the “image of the black in Western art” began in the 1960s as an aesthetic form of resistance to anti-black racism at the height of the civil rights ...
The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the representation of black people in the ancient world. Classic essays by distinguished ...
2011/11/14 - Europe and the World Beyond focuses geographically on peoples of South America and the Mediterranean as well as Africa, but conceptually it emphasizes the ways that visual constructions of blacks mediated between ...
In The 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called The Image of the Black in Western Art. Now, fifty years later, as the first American
2010/12/13 - アップロード元: Harvard University Press
Harvard Professor Henry Louis Gates, Jr., describes The Image of the Black in Western Art, a project begun ...November 2010
The Image of the Black in Western Art, Volume I
From the Pharaohs to the Fall of the Roman Empire
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November 2010
The Image of the Black in Western Art, Volume II
From the Early Christian Era to the “Age of Discovery”
Part 1: From the Demonic Threat to the Incarnation of Sainthood
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November 2010
The Image of the Black in Western Art, Volume II
From the Early Christian Era to the “Age of Discovery”
Part 2: Africans in the Christian Ordinance of the World
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November 2010
The Image of the Black in Western Art, Volume III
From the “Age of Discovery” to the Age of Abolition
Part 1: Artists of the Renaissance and Baroque
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November 2011
The Image of the Black in Western Art, Volume III
From the “Age of Discovery” to the Age of Abolition
Part 2: Europe and the World Beyond
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November 2011
The Image of the Black in Western Art, Volume III
From the “Age of Discovery” to the Age of Abolition
Part 3: The Eighteenth Century
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May 2012
The Image of the Black in Western Art, Volume IV
From the American Revolution to World War I
Part 1: Slaves and Liberators
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May 2012
The Image of the Black in Western Art, Volume IV
From the American Revolution to World War I
Part 2: Black Models and White Myths
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February 2014
The Image of the Black in Western Art, Volume V
The Twentieth Century
Part 1: The Impact of Africa
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October 2014
The Image of the Black in Western Art, Volume V
The Twentieth Century
Part 2: The Rise of Black Artists
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February 2017
The Image of the Black in African and Asian Art
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The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization.
The Image of the Black in African and Asian Art reinvigorates the de Menil family’s original mission and reorients the study of the black body with a new focus on Africa and Asia.
http://www.imageoftheblack.com/volumes.html
About the Books
In the 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called The Image of the Black in Western Art. Now, fifty years later, as the first American president of African American descent serves his historic term in office, her mission has been re-invigorated through the collaboration of Harvard University Press and the W. E. B. Du Bois Research Institute at the Hutchins Center for African and African American Research to present new editions of the coveted five original books, as well as an additional five volumes.
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