Constant Montald (1862 - 1944)The Heavenly Images of a Surreal Painter

The Heavenly Images of a Surreal Painter

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#art #painter #arthistory On the Belgian artist Constant Montald, in many ways a typical decadent painter, following avant garde and art nouveau trends, however his trip to Italy and the things he saw there influenced him a lot, and in most of his works, he used the visual language of antiquity, within his own unique flavor. Sources:    • Inspiration and splendour with Consta...      • Inspirational art of Constant Montald   All pictures by the artist can be found here: https://www.artnet.com/artists/consta...

Paysage symboliste

Artwork caption copied

Constant Montald

Paysage symboliste

1904

détrempe et dorure au cuivre sur toile

H. 111,2 ; L. 104,3 cm.

Achat, 2007

© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

Constant Montald (1862 - 1944)

 Niveau médian, Salle 61

Artworks in the same room

Other artworks from artist

Constant Montald is one of the key figures in Belgian Symbolism. This Symbolist Landscape, almost square, with many verticals, is a perfect illustration of the technique developed by the artist. The limited range of muted colours takes its inspiration from Primitivism and fresco painting, but this painting is enriched with metallic particles illuminating the canvas.
The characters are portrayed in the countryside, in what looks like a Garden of Eden. In the background, two naked men are planting a tree. In the foreground, a classical heroic nude, wearing a crown of golden laurel, appears to break off a branch.
The two groups, in the way they are situated in the space, seem to be taken from the central section of the main decoration by Pierre Puvis de Chavannes (1824-1898) created for the Musée des Beaux-arts de Rouen: Between Art and Nature. Elsewhere, the calm and orderliness of Montald's composition are reminiscent of another piece of work by Puvis de Chavannes: The Benefits of Peace. This iconographic similarity suggests a relationship between this representation and the political situation in Belgium at the time. Symbolist Landscape was an appeal for agreement at the time when the reign of Léopold II (1835-1909) was coming to an end against a background of increasing poverty, social unrest and increasingly violent colonial upheavals.
Symbolist Landscape is the first painting by Montald to enter a French museum. It finds its natural place alongside the paintings of the other Belgian Symbolists of the time, Léon Frédéric (1856-1940) and Jean Delville (1867-1953).