今天去北美館,看完二個展,不忘去圖書室看些日英中文書。其一
Odilon Redon Pastels. by Bacou,Roseline.: Thames and Hudson ...
www.abebooks.com › first-edition
Title: Odilon Redon Pastels. Publisher: Thames and Hudson. Publication Date: 1987. Binding: Hard Cover. Book Condition: Very Good. Dust Jacket Condition: ...
Levels of Life By Julian Barnes 《生命的層級》
目錄 · · · · · ·
高度之罪
水平面上
深度之失
水平面上
深度之失
p.21
p.105 奧蒂隆·雷東為--引言 1869年:1880年、カミーユ・ファルグ (Camille Fargue) と結婚。『森の精神』1880年;Self-Portrait, 1880, Musée d'Orsay
奧迪隆·雷東(原名伯特蘭-讓·雷東,法語:Odilon Redon,法語發音:[ʁədɔ̃],1840年4月20日-1916年7月6日)是法國象徵主義畫家、版畫家、製圖員以及粉蠟筆畫家。a French symbolist painter, printmaker, draughtsman and pastellist.
Wikipedia 的 Odilon Redon,只有法文本有他妻子姓名
The Kröller-Müller Museum in Otterlo, The Netherlands, had an exhibition with an emphasis on the role that literature and music played in Redon's life and work, under the title La littérature et la musique. The exhibition ran from 2 June to 9 September 2018.[19]
"Odilon Redon: La littérature et la musique;". Retrieved 2018-08-10.
https://fr.wikipedia.org/wiki/Odilon_Redon
The Metropolitan Museum of Art, New York
Happy birthday to the French painter Odilon Redon. Between 1908 and 1914, Redon was repeatedly drawn to represent the mythic beauties Venus, Andromeda, and Pandora. Here, he depicts Pandora—the exquisite woman fashioned from clay by the god Vulcan and sent to earth by Jupiter—as a graceful nude amid a profusion of flowers. http://met.org/1YFmtia
Odilon Redon (French, 1840–1916) | Pandora | ca. 1914
British Museum
Born #onthisday in 1840: Odilon Redon, hailed as a master of Symbolist art. This is one of his most famous coloured pastels, and was first shown in the gallery of Durand-Ruel – the favoured dealer of the Impressionists – in 1894. This study of a female profile, called ‘La Cellule d'Or’ (The Golden Cell), suggests introspection and intense feeling. The oil paint over a white ground gives the colour a luminous quality http://ow.ly/10z3gs
FULCRUM: an annual of poetry and aesthetics
"The Buddha," by Odilon Redon (France). Circa 1905.
"Centaur Drawing a Bow," sketch by Odilon Redon (France). 1895.
British Museum
Odilon Redon was born #onthisday in 1840. This work is one of his most famous coloured pastels http://ow.ly/LzQa6
Redon’s lithograph of a witch and snake is another highlight from our Room 90 exhibition #WitchesAndWickedBodies. Find out more onTumblr http://ow.ly/GbOai
Illustration :
Odilon Redon, Nocturne (non daté)
18 x 23,4 cm
Paris, musée d'Orsay. Legs de Mme Arï Redon en exécution des volontés de son mari, fils de l'artiste, 1984.
© RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski
More images
Odilon Redon
Painter
Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Wikipedia
Born: April 20, 1840, Bordeaux, France
Died: July 6, 1916, Paris, France
Periods: Post-Impressionism, Symbolism
Siblings: Gaston Redon
The Secret World of Odilon Redon (1840-1916)
by Arts Council of Great Britain
https://archive.org/details/thesecretworldofodilonredon18401916#
Publication date 1973
Topics Redon, Odilon, 1840-1916, Redon, Odilon, 1840-1916, Artists, Artists
Publisher Wilmette, Ill. : Films Inc.
Contributor Internet Archive
Language English
First released in Great Britain
Examines the life, work, and techniques of nineteenth-century artist Odilon Redon. Includes Redon's own comments on his work
This thought of Rilke about visionary travel and country faces is also important because Rembrandt never left his native Holland. He also refused to travel to Rome, the "home of the arts," the center of European artistic life (in the 17th century, a visit to Italy was considered necessary for the completion of education). Here is what the French symbolist artist Odilon Redon wrote about this Rembrandt line:
"... I think that Rembrandt's great style, coming from his heart and his all-encompassing mind, is connected with the tranquility of his immobile life." He never left Amsterdam and advised his students not to go anywhere, even to Italy. to say that immobility creates genius, but it seems to me that his genius, his humane and human vision, would not have gained anything from a heap of impressions far from those models that he always had before his eyes.In diversity, the deep and single, which he He wounded in a secluded refuge of his dreams and thoughts ... ".
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