 |
| ||
【簡歷】 美國普林斯頓大學藝術與考古學系退休教授 臺大藝術史研究所特聘講座（2008.10.30-11.15） 國立臺灣大學藝術史研究所 https://professorwencfong.wordpress.com/ | |||
方聞教授（WEN C. FONG, 1930-2018）對中國美術史的研究、教學與博物館典藏都居開創之功，啟發無數研究者與學子。他的影響是世界性的，尤其對台灣的中國美術史領域發揮了極為深刻而廣泛的作用，臺大藝術史研究所的創立與發展就與他密不可分。
臺大藝術史研究所將於2018年12月15日上午9時，假臺大總圖 B1 國際會議廳舉行方聞教授追思會，誠摯邀請各位朋友來此一起緬懷方聞教授，並向他對中國藝術史領域的開發與對學界偉大的貢獻，致上最高的敬意。
陳葆真教授 寫了方聞教授的"學術要點"及"他與台灣的關係" (訪台28次，早期捐4000美元給故宮出版展覽圖錄.......)
結尾：讓死的有不朽的名，但活的要有不朽的愛。
(漂 鳥 集 280 作者：泰戈爾 譯者：糜文開)
追思會有8成講個人的互動。
有揚學生取Wen Fong̕外號為White Fang
https://en.wikipedia.org/wiki/White_Fang
 方聞：大都會博物館亞洲藝術收藏的塑造者DAVID BARBOZA
方聞是中國藝術史上的領軍人物，在普林斯頓建立了美國第一個中國藝術和考古學博士項目，並幫助大都會博物館搭建了世界上最全的亞洲藝術藏品。他於本月去世，享年88歲。
2 days ago - Wen C. Fong, a renowned scholar who helped the Metropolitan Museum of Art in New York build one of the world's most comprehensive ...
Wen C. Fong was a Chinese-American historian of East Asian art. He was Edwards S. Sanford Professor of Art History at Princeton University, where he taught ...
In his nearly five decades of teaching at Princeton and in his service at the Metropolitan Museum of Art in New York, Wen C. Fong helped to create and shape ...
Wen C. Fong (1930–2018) - Artforum International https://www.artforum.com/news/wen-c-fong-1930-2018-77292 23 hours ago - Wen C. Fong, leading Chinese art historian who spearheaded the Metropolitan Museum of Art's holdings in Asian art, has died at age ... Videos 5:13 Wen C. Fong Asia Society - Aug 28, 2014 [PDF] 方聞教授對中國藝術史學界的貢獻 - 漢學研究中心 ccs.ncl.edu.tw/files/.../內頁-3-漢學人物-漢學研究通訊141期.pdf by 陳葆真 方聞教授對中國藝術史學界的貢獻. Professor Wen C. Fong̕s Contributions to the Field of Chinese Art History. 陳葆真（Chen Pao-chen）*. 2010 年7 月方聞教授於 ... 方聞- 萌典
2008國立臺灣大學藝術史研究所 專題系列演講及座談會
登記表
主講人：方聞 教授
地點：國立臺灣大學第二學生活動中心B1 蘇格拉底廳/柏拉圖廳
|
Art as HistoryCalligraphy and Painting as OneWen C. Fong
This richly illustrated book provides an anthology and summation of the work of one of the world's leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the history and practice of Chinese painting and calligraphy. In this collection of some of his most recent essays, Fong gives a sweeping tour through the history of Chinese painting and calligraphy as he offers new and revised views on a broad range of important subjects.
The topics addressed include "art as history," in which each art object preserves a moment in art’s own significant history; the museum as a place of serious study and education; the close historical relationship between calligraphy and painting and their primacy among Chinese fine arts; the parallel development of representational painting and sculpture in early painting history; the greater significance of brushwork, seen abstractly as a means of personal expression by the artist, in later painting history; the paradigmatic importance of the master-to-follower lineage as a social force in shaping the continuity and directing the subtle changes in Chinese painting history; the role of collectors; and the critical necessity of authenticated works for establishing an accurate art history.
Throughout the book, Fong skillfully combines close analysis and detailed contextualization of individual works to reveal how the study of Chinese painting and calligraphy yields deep insights about Chinese culture and history.
Wen C. Fong is professor emeritus of Chinese art history at Princeton University, where he taught from 1954 to 1999, established the country's first PhD program in Chinese and Japanese art and archaeology, and served for many years as faculty curator of Asian art at the Princeton University Art Museum. He also served as consultative chairman of the Department of Asian Art at the Metropolitan Museum of Art for three decades before retiring in 2000. His many books include Images of the Mind, Beyond Representation, and Possessing the Past.
One of Choice's Outstanding Academic Titles for 2015
Publications of the Department of Art and Archaeology, Princeton University
Resources
Introduction [PDF]
List of Illustrations [PDF]
Reviews
"Fong is perhaps the preeminent scholar of Chinese art history integrated with a Western art historical perspective. . . . This work is, in many ways, his comprehensive summation of over 50 years of work. . . . The book is absolutely essential to any library that has a section devoted to the art of China. The book is also wonderfully designed and made."--Choice
Endorsements
"Fong offers a model that should encourage his colleagues to look again at the patterns of artistic relationships in the history of Western art, to explore what might be called a studio history of art. The focus on the brush stroke as both representation and presentation, at once mimetic in function and personally expressive in affect, acknowledges the continuing presence of the artist in the work, the creator of illusion beyond the surface whose very marking of that surface declares his individual creative responsibility. As Fong reaches out to Western art historiographic models for comparison, his exposition of the Chinese critical tradition offers an invitation to reconsider the values that have guided Western aesthetic thought, to acknowledge the centrality of the artist and the meaning of the mark."—David Rosand, Meyer Schapiro Professor of Art History Emeritus, Columbia University
水月鏡像特展 展此書，絕版，買自二手書店，約5522元
2019
沒有留言:
張貼留言