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Museo Nivola
"Un'evoluzione artistica nata da un'amicizia particolare, quella fra Costantino Nivola e Le Corbusier. L'architetto francese e l'artista sardo s'incontrano nel 1946 a New York, dove il primi collabora al progetto della sede dell'ONU.
Fino al 1951 la loro sarà un frequentazione intensa, proseguita poi per lettera fino alla morte di Le Corbusier nel 1965".
Fino al 1951 la loro sarà un frequentazione intensa, proseguita poi per lettera fino alla morte di Le Corbusier nel 1965".
Con queste parole, il giornalista Francesco Riccardi, introduce il suo accurato servizio sulla mostra temporanea Le Corbusier. Lezioni di modernismo andato in onda al TGR Rai Sardegna
All'interno del servizio le interviste a Giuliana Altea (Presidente della Fondazione Nivola) e Antonella Camarda (Direttrice del Museo Nivola) curatrici - insieme a Richard Ingersoll e Marida Talamona - della mostra temporanea.
Il progetto della Fondazione di Sardegna e della Fondazione Nivola nell’ambito di AR/S Arte condivisa in Sardegna, sostenuto dall’Assessorato del turismo della Regione Sardegna [Visit Sardinia] con la collaborazione della Fondation Le Corbusier, vi aspetta fino al 17 marzo 2019.
"An artistic evolution born from a particular friendship, that between Costantino Nivola and Le Corbusier.The French architect and the Sardinian artist meet in 1946 in New York, where the first collaborates in the project of the UN headquarters.
Until 1951 they will be an intense frequentation, then continued by letter until the death of Le Corbusier in 1965 ".
With these words, the journalist Francesco Riccardi, introduces his accurate service on the temporary exhibition Le Corbusier. Modernism lessons broadcast at TGR Rai Sardegna
Within the service the interviews with Giuliana Altea (President of the Nivola Foundation) and Antonella Camarda (Director of the Nivola Museum) curators - together with Richard Ingersoll and Marida Talamona - of the temporary exhibition.
The project of the Foundation of Sardinia and of the Nivola Foundation in the framework of AR / S Art shared in Sardinia, supported by the Tourism Department of the Region S
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Costantino (Tino)[1] Nivola (July 5, 1911 – May 6, 1988) was an Italian-American sculptor, architectural sculptor, muralist, designer and teacher.
Born in Sardinia, Nivola had already started his career when he fled Fascism for Paris in 1938, going to the U.S. in 1939. His major sculptural work is abstract, large-scale architectural reliefs in concrete, made in his own sandcasting and cement carving processes. These were erected in and on American buildings between the late 1950s and early 1970s. Creatively busy and while remaining active in Italy, Nivola also taught at the Harvard Graduate School of Design, Columbia University, UC Berkeley, and elsewhere.
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The Nivola Museum in Orani, Sardinia is dedicated to his life and sculpture, and hosts the largest collection of his smaller scale work.[2]
Supported by small exhibitions and a progression of jobs in factories,[8] for Bonwit Teller, and for architectural magazines, the Nivolas bought a modest property in Springs, East Hampton, Long Island. It would expand to 35 acres. Their garden landscape, a series of outdoor rooms and a roofless solarium, was co-designed by the Nivolas and architect Bernard Rudofsky; in 1950 Le Corbusier impulsively painted murals on two walls of their kitchen. On the nearby beach Nivola developed the principle of his distinctive concrete sandcasting technique while playing with his children. They sculpted wet sand, then poured a slurry of plaster or concrete into the form.
In 1951 Nivola was one of the artists shown in the pivotal 9th Street Art Exhibition, hung by Leo Castelli.
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