2019年2月5日 星期二

Das Kunstblatt 1917-1932


From Wikipedia, the free encyclopedia
Jump to navigationJump to search
Das Kunstblatt was a German art magazine published between 1917 and 1933[1] by Paul Westheim in Weimar Germany.
----
https://www.moma.org/s/ge/collection_ge/objbyppib/objbyppib_ppib-25_sov_page-8.html

Various Artists

The Periodical

Das Kunstblatt

From the periodical
VIEW ALL
  • Emil Nolde. Madonna (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 1 (Jan 1917). 1917
  • Otto Mueller. Beach (Strand) (plate, preceding p. 1) from the periodical Das Kunstblatt, vol. 3, no. 1 (Jan 1919). 1919 (print executed 1918)
  • Lyonel Feininger. Boats at the Dock (Schiffe am Hafenquai) (plate, preceding p. 33) from the periodical Das Kunstblatt, vol. 3, no. 2 (Feb 1919). 1919  (print executed 1918)
  • Conrad Felixmüller. Mother (Mutter) (plate, preceding p. 65) from the periodical Das Kunstblatt, vol. 3, no. 3 (Mar 1919). 1919 (print executed 1918)
  • Werner Gothein. Smoker (Raucher) (plate, preceding p. 129) from the periodical Das Kunstblatt, vol. 3, no. 5 (May 1919). 1919
  • Heinrich Campendonk. Seated Man (Sitzender Mann) (plate, preceding p. 161) from the periodical Das Kunstblatt, vol. 3, no. 6 (June 1919). 1919
  • Otto Gleichmann. Untitled (plate, preceding p. 193) from the periodical Das Kunstblatt, vol. 3, no. 7 (July 1919). 1919
  • Max Burchartz. Two Men (Zwei Männer) (plate, preceding p. 225) from the periodical Das Kunstblatt, vol. 3, no. 8 (Aug 1919). 1919
  • Anton Kerschbaumer. Watergate (Schleuse) (plate, preceding p. 257) from the periodical Das Kunstblatt, vol. 3, no. 9 (Sept 1919). 1919
  • André Derain. Still Life (Stilleben) (plate, preceding p. 289) from the periodical Das Kunstblatt, vol. 3, no. 10 (Oct 1919). 1919
  • Willi Zierath. Untitled (plate, preceding p. 321) from the periodical Das Kunstblatt, vol. 3, no. 11 (Nov 1919). 1919
  • Christian Rohlfs. Elijah in the Desert (Elias in der Wüste) (plate, preceding p. 353) from the periodical Das Kunstblatt, vol. 3, no. 12 (Dec 1919). 1919 (print executed c. 1912)
  • Lyonel Feininger. Village (Dorf) (plate, preceding p. 1) from the periodical Das Kunstblatt, vol. 4, no. 1 (Jan 1920). 1920  (print executed c. 1918-19)
  • Vlastislav Hofman. Raskolnikow (Raskolnikov) (plate, preceding p. 33) from the periodical Das Kunstblatt, vol. 4, no. 2 (Feb 1920). 1920 (print executed 1919)
  • Otto Hohlt. Untitled (plate, preceding p. 65) from the periodical Das Kunstblatt, vol. 4, no. 3 (Mar 1920). 1920  (print executed 1919)
  • Rudolf Schlichter. Dance (Tanz) (plate, preceding p. 97) from the periodical Das Kunstblatt, vol. 4, no. 4 (Apr 1920). 1920  (print executed 1919)
  • Alfred Lomnitz. Ghost Sonata (Gespenstersonate) (plate, preceding p. 161) from the periodical Das Kunstblatt, vol. 4, no. 6 (June 1920). 1920
  • Stanislaus Stückgold. Plate (preceding p. 225) from the periodical Das Kunstblatt, vol. 4, no. 8 (Aug 1920). 1920
  • Walter Helbig. Sermon to the Birds (Vogelpredigt) (plate, preceding p. 257) from the periodical Das Kunstblatt, vol. 4, no. 9 (Sept 1920). 1920

About the periodical

Heather Hess, German Expressionist Digital Archive ProjectGerman Expressionism: Works from the Collection. 2011.
Published monthly for sixteen years, Das Kunstblatt promoted the work of living artists and the spirit of the "new art" in all its forms, eventually covering art, theater, film, literature, and architecture. The title is an antiquated word for print that, more generally, translates as "art paper." Das Kunstblatt reflected the discerning taste of its founder and editor, Paul Westheim. In an opening salvo, Westheim explained that the true artist went beyond creating pretty, lifelike surfaces to probe "the depths of being." He named Edvard Munch, Emil Nolde, Ernst Barlach, Wilhelm Lehmbruck, Oskar Kokoschka, Erich Heckel, and Ernst Ludwig Kirchner as exemplars of this modern ideal. Later, Das Kunstblatt provided equally impassioned support of sharply critical artists such as Otto Dix, George Grosz, and other practitioners of Neue Sachlichkeit. Leading novelists, playwrights, curators, and critics also contributed to the journal, including Bertolt Brecht, Theodor Däubler, Alfred Döblin, Carl Einstein, Gustav Hartlaub, and Franz Roh.
From the beginning, Das Kunstblatt was international in scope, featuring works that satisfied Westheim's definitions of modern art no matter the source. Most issues included an original print (two in the deluxe edition). The publication also brought together art historical essays on African, Indian, and Asian art—a cosmopolitan style that provoked condemnation by the Nazis. The last issue appeared in March 1933, and that summer Westheim fled Germany.
Date:
1917-1932
Medium:
Twenty-four issues of periodical (bound in two volumes) with seven lithographs, eleven woodcuts, and one linoleum cut, and twenty lithographs, seven drypoints, eighteen woodcuts, three etchings, and one linoleum cut.
Publisher:
Various Publishers
Printer of Plates:
unknown
Printer of Text:
A. Wohlfeld, Magdeburg
Reference:
Söhn 316-334. Jentsch 33.
MoMA Number:
Periodical_Das_Kunstblatt



沒有留言: