May 3, 2013 - Paul Klee: The Bauhaus Years, curated by Olivier Berggruen. The exhibition emphasised Klee's work, from his army release in 1918 until his ...
Foreword Hugo Nathan. 10. Transparent Images Olivier Berggruen. 14. Reasons and Dreams Rémi Labrusse. 33. Paul Klee - Plates. 90. The Bauhaus Years: A ...
此次展覽以Paul Klee的畫作為主，所以本文簡單地補充Bauhaus 同事的大事紀
1918年
1919年
In 1919, when Gropius founded the Bauhaus, in Weimar, Marcks was one of the first three faculty members to be hired, along with Feininger and Johannes Itten.
Walter Gropius, “Bauhaus Manifesto and Program” (1919). The ultimate aim of all visual arts is the complete building! To embellish buildings was once the.
Lyonel Feininger (Illustration), Walter Gropius (Author) / Manifesto and programme
4.1 Walter Gropius 接掌 Weimar 的兩組織 the Grand-Ducal Saxon School of Arts and Crafts與
the Grand-Ducal Saxon Academy，將其合併成 Bauhaus，正式名稱：The Staatliches Bauhaus Weimar
夏季， Paul Klee 未能接任 Akademie der Bildenden Künste (Stuttgart Academy of Fine Art)，雖有 Oskar Schlemmer 及Willi Baumeister的推薦
Paul Klee発表『創造的信条告白』
Paul Klee與 Munich 的藝術經銷商Hans Goltz 簽3年合約；1922續約
In 1919 Schlemmer turned to sculpture and had an exhibition of his work at the gallery Der Sturmin Berlin
1920年
5~6月 ， Paul Klee 以362件在Hans Goltz在 Munich 新藝術畫廊展。
10月 Walter Gropius 邀請 Paul Klee到 Weimar 任教； 10.11， Walter Gropius與 Alma Mahler 離婚
Walter Gropius與 Adolf Meyer 再將1910年的柏林事務所成立。得Joost Schmidt 之助，Adolf Sommerfeld House (Berlin-Dahlem，1920~21)
Paul Klee加入： Schlemmer 與Helena Tutein結婚，受邀加入 Bauhaus
1921
BAUHAUS教師團：Walter Gropius、Lyonel Feininger
Gerhard Marcks (1915.9 離職)- Wikipedia、
Paul Klee
1月 Paul Klee 上任 (Munich 通勤)
Walter Gropius's Monument to the March Dead (1921) dedicated to the memory of nine workers who died in Weimar resisting the Kapp Putsch. 事務所Jena 的市立劇院
10月，Paul Klee搬到Weimar
1922
Schlemmer became known internationally with the première of his 'Triadisches Ballett' in Stuttgart in 1922.
Wassily Wassilyevich Kandinsky 上任 ~1933
Paul Klee與康丁斯基
共用畫室
合開自由絵画教室
1921~22 Paul Klee 型態論講義
1923
Bauhaus成果展
1924
1~2月 Paul Klee:美國首次展
1月 論現代藝術演講
1924年Klee的演講結語：
… We must go on seeking it!
We have found parts, but not the whole!We still lack the ultimate power, for:the people are not with us. But we seek a people. We began over there in the Bauhaus. We began there, with a community to which each one of us gave what he had. More we cannot do. ~ Paul Klee in Jena, 1924
7~8月 Paul Klee 巴黎、Brittany 旅行
1925
1925~1930年 14本 Bauhaus 叢書
In 1924, Miró and Masson applied Surrealism to painting. The first Surrealist exhibition, La Peinture Surrealiste, was held at Galerie Pierre in Paris in 1925. It displayed works by Masson, Man Ray, Paul Klee, Miró, and others.
In September 1925, the Bauhaus was relocated to Dessau
1926
Kandinsky, Punkt und Linie zu Fläche: Beitrag zur Analyse der malerischen Elemente,
1926. Image via Monoskop
Kandinsky, 點和線到區域: 貢獻分析風景如畫的元素, 1926. 張圖片通過單
Walter Gropius designed large-scale housing projects in Berlin, Karlsruhe and Dessau in 1926–32 that were major contributions to the New Objectivity movement, including a contribution to the Siemensstadt project in Berlin.
12月 金融危機
日本資訊發達。太太到東京郊外參觀某書店，順便買個禮物送我。這翻譯取得歌德學院的補助：
Lars Müller (ed.)
bauhaus journal 1926–1931
facsimile edition
Lars Müller (ed.)
bauhaus journal 1926–1931
facsimile edition
1927
夏Paul Klee:到葡萄牙、科西嘉旅行
1928
3月~4月 Walter Gropius 辭職回柏林；交棒給 Hannes Meyer
12月 Paul Klee訪埃及 (與Kandinsky？)
Influenced by his trip to Egypt from 1928 to 1929, Klee built a color field from individually stamped dots, surrounded by similarly stamped lines, which results in a pyramid.
The title identifies the picture as the home of Apollo and the Muses.[80] During his 1929 travels through Egypt, Klee developed a sense of connection to the land, described by art historian Olivier Berggruen as a mystical feeling: "In the desert, the sun's intense rays seemed to envelop all living things, and at night, the movement of the stars felt even more palpable. In the architecture of the ancient funerary moments Klee discovered a sense of proportion and measure in which human beings appeared to establish a convincing relationship with the immensity of the landscape; furthermore, he was drawn to the esoteric numerology that governed the way in which these monuments had been built."[81]
1929
| Founder | Count Harry Kessler |
|---|---|
| Type | Artists' association |
| Purpose | To ensure the freedom of art |
| Location |
|
Membership
| 600 |
Paul Klee50歲生日
Will Grohmann (1887~ 1968)出版論Paul Klee:
Wassily Kandinsky with Paul Klee
Guethary, France, 1929
Guethary, France, 1929
1930
3~4月 回顧展MoMA：Paul Klee 63件
The Dessau city council attempted to convince Gropius to return as head of the school, but Gropius instead suggested Ludwig Mies van der Rohe. Mies was appointed in 1930, and immediately interviewed each student, dismissing those that he deemed uncommitted. He halted the school's manufacture of goods so that the school could focus on teaching, and appointed no new faculty other than his close confidant Lilly Reich. By 1931, the National Socialist German Workers' Party (Nazi Party) was becoming more influential in German politics. When it gained control of the Dessau city council, it moved to close the school.[23]
1931
Music Room 面磚畫 1931 柏林 KANDINSKY
1932
In late 1932, Mies rented a derelict factory in Berlin (Birkbusch Street 49) to use as the new Bauhaus with his own money.
1933
4月 Bauhaus 關門
In 1933, Paul Klee: last year in Germany, he created a range of paintings and drawings; the catalogue raisonné comprised 482 works. The self-portrait in the same year—with the programmatic title von der Liste gestrichen (removed from the list)—provides information about his feeling after losing his professorship. The abstract portrait was painted in dark colors and shows closed eyes and compressed lips, while on the back of his head there is a large "X", symbolizing that his art was no longer valued in Germany.
1935
When Hitler's chief engineer, Fritz Todt, began opening the new autobahn (highways) in 1935, many of the bridges and service stations were "bold examples of modernism"—among those submitting designs was Mies van der Rohe.[25]
1937
Walter Gropius 旅美 哈佛大學建築系
1938
Poster advertising the 50 Years of Bauhaus Exhibition in Stuttgart, 1968.
Günter Habermann Ich war in Stuttgart dabei. - Gropius war selber da!
1968 Herbert Bayer BAUHAUS 50 Years
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