Henry Moore Foundation: exhibitions and events for spring. (部分)
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4 March 2019
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Spring exhibitions and events from the Henry Moore Foundation.
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Opening Wednesday 6 March The Wallace Collection
A ground-breaking exhibition, curated in partnership with The Wallace Collection, that will uncover the previously unknown role of armour from the Wallace Collection in influencing Moore’s famous helmet head series.
Image: Henry Moore with Helmet Head No2 Photo: John Hedgecoe, 1967
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Opening Friday 8 March Henry Moore Institute
Drawing upon international histories of sculpture, Renee So’s playful and cartoon-like characters will populate the Henry Moore Institute’s main galleries in spring 2019.
This solo exhibition will bring together works from throughout So's career. Early and recent ceramics will be included alongside knitted portraits of fictional personas that delve into a history of sculpture and image making.
Image: Renee So, Cross Legged Man 2018, glazed ceramic, oil paint Courtesy of the artist. Photo: Robert Glowacki
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Opening Wednesday 3 April Henry Moore Studios & Gardens
Discover another side to Henry Moore in the largest exhibition of his drawings in over 40 years.
Henry Moore is best known for his sculpture but it was, in fact, thanks to an exhibition of his Shelter drawings at the National Gallery in 1942 that Moore first received widespread recognition in Britain. This new exhibition, featuring over 150 drawings, explores his prolific career on paper.
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In the first Front Row Late of 2019, Mary Beard will be looking at the posthumous reputations of writers, musicians and artists.
As a short story Sylvia Plath wrote at the age of 20 is published for the first time, Mary and her guest will discuss whether or not every piece of early work by a literary legend deserves to be published. From Kafka to Tupac and Amy Winehouse, posthumous work sells and adds to a body of work - but what’s the responsibility of those who look after artists’ legacies?
Mary will also explore our fascination with the artefacts great writers leave behind when they die, visiting Doris Lessing’s archive to ask how personal effects and ephemera paint a picture of a great writer’s life.
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