Jacques-Louis David (French, 1748–1825 雅克-路易·大衛：倡導嚴謹的輪廓、雕塑般的造型和光滑的表面。)名畫《馬拉之死》(Mort de Marat) 《蘇格拉底之死》| 1787。 華特‧弗里德蘭德著《從大衛到德拉克羅瓦》；諾曼·布萊森著《傳統與慾望：從大衛到德拉克羅瓦》 David to Delacroix by Walter Friedlaender; Tradition and Desire: From David to Delacroix By Norman Bryson
正是這種自我盲目，讓我最珍惜大衛──我最深沉也最不該愛的人。這位他那個時代最有影響力的畫家，獨自一人牢房，卻無法洞悉自己的內心。
你知道，當政治淪為一場血腥的角逐時，這種情況就會發生。立法者必須做出絕對的投票：贊成或反對，生或死。但畫家──這正是他的力量，也是他的悲劇所在──可以給第三個答案：我真的不知道。
It is that self-blindness I have come to value most in David, my deepest and wrongest love. The most influential painter of his time, all alone in his cell, cannot penetrate his own heart.It can happen, you know, when politics becomes a bloodsport. The legislator must vote absolutely: aye or nay, life or death. But the painter — here is his power, and also his tragedy — can give a third answer: I just don’t know.
18世紀80年代，大衛憑藉其冷峻的新風格，迅速躋身歐洲繪畫界的前沿。他的雄心壯志最終使他進入了新政府，並以近乎致命的忠誠為其效力。
In the 1780s, David rocketed to the forefront of European painting with a severe new style of depiction. His ambitions led him all the way into a new government, which he served with lethal devotion.
David to Delacroix
Available from De Gruyter »
Product Details
E-DITION
$65.00 • €48.00
ISBN 9780674332522
Publication: January 1952
Tradition and Desire: From David to Delacroix
Norman Bryson
CUP Archive, 1984/08/23 - 228 ページ
In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.
Norman Bryson
CUP Archive, 1984/08/23 - 228 ページ
| Tradition and Desire: From David to Delacroix Cambridge Studies in French 第 第 5 巻 巻, ISSN 0950-6322 Cambridge paperback library London Mathematical Society Lecture Notes | |
| 著者 | Norman Bryson |
In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.
目次
| 32 |
| 63 |
| 85 |
| 124 |
| 176 |
| 183 |
| 213 |
