2017年7月29日 星期六

嶋本 昭三Shozo Shimamoto

What do you see when you look at Shozo Shimamoto's oil painting?
The work is formed by piercing holes in the work's surface. Viewed from a distance, the overall effect is that of a lunar landscape, all craters and bumps.
View the work up close at Tate Modern https://goo.gl/eK5sT4 Shozo Shimamoto, ‘Holes’ 1954, Tate collection


Shozo Shimamoto
Artist
Shozo Shimamoto was a Japanese artist. He was a co-founder of the avant garde Gutai group formed in the 1950s, and his works are in museum collections such as those of the Tate Gallery and the Tate ...Wikipedia
BornJanuary 22, 1928, Osaka, Osaka Prefecture, Japan
DiedJanuary 25, 2013, Osaka, Osaka Prefecture, Japan

芸術に関する言[編集]

  • 「芸術とは、人を驚かせることである」
  • 「絵とは絵そらごと」

2017年7月28日 星期五

Le Corbusier 130歲;{漢清講堂}記念 Le Voyage d'Orient 3講

  Le Corbusier 130歲;{漢清講堂}記念 Le Voyage d'Orient 3講.

Corbu 130歲,漢清講堂將作其壯遊記


2017年130歲紀念:
1966: Le Voyage d'Orient (Journey to the East /The Voyage to the East)---20歲約一年1910-11的遊記筆記,1966年(身後)出版。
Journey to the East by Le Corbusier, Edited by Ivan Zaknic《東方游記》1987



我2016年3月8日在facebook 介紹此書。隔天江先生貼說某著名日本建築師 ,提倡"負建築"就是反  Le Corbusier的。我當然知道21世紀反  Le Corbusier 的人很多,然而,無損於他是"20世紀最知名的建築師"美譽---作品多已成重要的文化資產。他的繪畫在瑞士有專門美術館收藏。

就連《東方游記》中相關的書本外的紀念品都編成書,出版---我還沒機會過目。

在通俗文化,參考BBC 的 Art Deco Icons - The Orient Express (第2集的約第28分鐘,https://www.youtube.com/watch?v=fkGJsNPyR2o&t=833s) ,拿出約1925年的英國建築雜誌,其中大力評判法國的 Art Deco是"未完成的......",大捧 Le Corbusier 的現代主義。.....






36:30

169 Le Corbusier東方之旅: Greece  2017-06-17 鍾漢清
hc iTaiwan forum

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150 東方之旅:The Voyage to the East (紀念Le Corbusier和王錦堂) 鍾漢清 2017-04-22
hc iTaiwan forum

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161 Istanbul (III) : Le Corbusier 的伊斯坦堡之行(1911) 漢清講堂 2017-05-19
hc iTaiwan forum

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Alexander Liberman (1912-99);The Artist in His Studio,



Image result for Alexander Liberman (1912-99);The Artist in His Studio

The Artist in His Studio, foreword by James Thrall Soby, Viking Press (New York), 1960, revised edition, Random House (New York), 1988



Alexander Semeonovitch Liberman (September 4, 1912 – November 19, 1999) was a Russian-American magazine editor, publisher, painter, photographer, and sculptor. He held senior artistic positions during his 32 years at Condé Nast Publications.

Life and career[edit]

When his father took a post advising the Soviet government, the family moved to Moscow. Life there became difficult, and his father secured permission from Lenin and the Politburoto take his son to London in 1921.
Young Liberman was educated in Russia, England, and France, where he took up life as a "White Émigré" in Paris.
He began his publishing career in Paris in 1933–36 with the early pictorial magazine Vu, where he worked under Lucien Vogel as art director, then managing editor, working with photographers such as BrassaïAndré Kertész, and Robert Capa.[6]
After emigrating to New York in 1941, he began working for Condé Nast Publications, rising to the position of editorial director, which he held from 1962-1994.
Only in the 1950s did Liberman take up painting and, later, metal sculpture. His highly recognizable sculptures are assembled from industrial objects (segments of steel I-beams, pipes, drums, and such), often painted in uniform bright colors. In a 1986 interview concerning his formative years as a sculptor and his aesthetic, Liberman said, "I think many works of art are screams, and I identify with screams."[7] Prominent examples of his work are in the collections of the Metropolitan Museum of ArtStorm King Art CenterHirshhorn Museum and Sculpture GardenPyramid Hill Sculpture ParkTate Gallery, and the Guggenheim Museum. His massive work "The Way", a 65 feet (20 m) x 102 feet (31 m) x 100 feet (30 m) structure,[8] is made of eighteen salvaged steel oil tanks, and became a signature piece of Laumeier Sculpture Park,[9] and a major landmark of St. Louis, Missouri.[10][11]
He was married briefly to Hildegarde Sturm (August 25, 1936), a model and competitive skier. His second wife (since 1942), Tatiana Yacovleff du Plessix Liberman (1906–1991), had been a childhood playmate and baby sitter. In 1941, they escaped together from occupied France, via Lisbon, to New York. She had operated a hat salon in Paris, then designed hats for Henri Bendel in Manhattan. She continued in millinery at Saks Fifth Avenue where she was billed as "Tatania du Plessix" or "Tatania of Saks", until the mid-1950s.[12] In 1992, he married Melinda Pechangco, a nurse who had cared for Tatiana during an early illness. His stepdaughter, Francine du Plessix Gray, is a noted author.


Alexander Semeonovitch Liberman was a Russian-American magazine editor, publisher, painter, photographer, and sculptor. He held senior artistic positions during his 32 years at Condé Nast Publications. Wikipedia
BornSeptember 4, 1912, Kiev, Ukraine
DiedNovember 19, 1999, Miami, Florida, United States
EmployersVogue (1943–), Condé Nast(1960–1994)


University School, Hastings, Sussex, England, 1921-22
St. Pirans SchoolMaidenhead, Berkshire, England, 1923-24
Ecole des Roches, 1924-27
Sorbonne, 1927-30, philosophyand mathematics,
studied painting, under André Lhote, Paris, 1931
Ecole Speciale d'Architecture, Paris, 1931-32 (under Auguste Perret)
École des Beaux-Arts in Paris, 1932-33
Occupationmagazine editorpublisher
painterphotographersculptor
EmployerVogue magazine (1943-)
Condé Nast Publications (1960-1994)
Home townNew York
Miami
TitleEditorial Director
Spouse(s)Hildegarde Sturm (1936-??)
Tatiana Yacovleff du Plessix (1942-1991)
Melinda Pechangco (1992-1999)
ChildrenFrancine du Plessix Gray
stepdaughter, not adopted
Parent(s)Semeon Isayevich Liberman, a timber expert
Henriette Pascar, a theatrical dilettante
Notes
Alexander Liberman, Gate of Hope, painted steel, 1972, University of Hawaii at Manoa
Liberman's Two Circles (1950) in the Metropolitan Museum of Art

2017年7月27日 星期四

那一代繪畫大師之間的友情;Georges Braque: Within Reach of the Hand

那一代繪畫大師之間的友情
1936~37年,Paul Klee (1879-1940)流年不利,既知自己罹重症,又給納粹沒收12幅畫,1937年在"墮落的藝術展"亮相。Klee 回瑞士的Bern沉隱。
1937年, Pablo Picasso (1881–1973)和 Georges Braque (1882–1963)聯袂來訪,他倆是Klee在1912年訪問巴黎時認識的。紀錄上,當年Ernst Ludwig Kirchner (1880-1938)也訪問 Paul Klee。
Georges Braque: Within Reach of the Hand
Lecture by Karen Wilkin, an independent curator and art critic, New York
Lecture by Karen Wilkin, an independent curator and art critic, New York "I began to paint mainly still lifes," Georges Braque said, "because in nature there...
YOUTUBE.COM

A 1929 Modigliani Catalogue is a Window into Art History


De Hauke and Co—an important dealer of modern art from Europe, selling to American collectors and museums—was run by César Mange de Hauke, and was an offshoot of the renowned Parisian art dealer Jacques Seligmann & Co. Before the Armory show of 1913, Jacques Seligmann had primarily focused on decorative pieces from medieval and Renaissance eras and the 18th century. After the Armory show, Germain Seligman, son of Jacques and by then the head of the company (he dropped the family name’s extra “n”) realized the burgeoning market for contemporary European art and created a separate company for it. César Mange de Hauke was chosen as the head of the New York-based enterprise, De Hauke & Co, and the business prospered, even through the Depression.
Almost every major museum in the United States bought from Seligman and de Hauke during their early years of major acquisitions. American museums formed their collections through an intertwined network of critics, collectors, and dealers, as evidenced by this Modigliani catalogue—which was itself a gift to the Guggenheim from Helen Appleton Read, art critic from 1922 to 1938 for the Brooklyn Daily Eagle.
There is undeniable emotional power even in the monochromatic reproductions of Modigliani’s paintings. As the unsigned introduction says, “The profound sadness of his destiny permeates all of his works and that gives them their real value. This sadness, infused through the faces of the Modigliani sitters, lends them all an ineffable pathos.”


From our Special Collections Library—explore a 1929 Amedeo Modigliani catalogue, a fascinating historical artifact with links to significant events and art-world workings of the time. #TBT

This 1929 Amedeo Modigliani catalogue in the Guggenheim Museum…
GUGGENHEIM.ORG

2017年7月26日 星期三

Markus Lüpertz's Controversial Subway Art Gets Green Light

Some residents are incensed by the proposal.
The flamboyant German artist will create a number of public artworks across the subway stations of the German city of Karlsruhe.
NEWS.ARTNET.COM|作者:HENRI NEUENDORF

2017年7月25日 星期二

玄空法寺賣贗品 判賠朱銘4800萬


名寺賣贗品 判賠朱銘4800萬

園區展示 3件假「太極」銅雕逾5千萬售出

2017.7.26
http://www.appledaily.com.tw/appledaily/article/headline/20170726/37728409/
【孫友廉、王志弘╱連線報導】台南知名的玄空法寺園區內,擺設多座號稱是國際雕塑大師朱銘的太極、人間系列銅雕,其中三件還以五千七百萬元售出,朱銘得知後派人鑑定,確認這些銅雕統統是假的,向法寺、開山方丈黃全文求償,智財法院昨判法寺及黃全文共須賠四千八百萬元、不得再展示及銷售贗品,也須將判決內容刊登在《蘋果日報》頭版一天。
朱銘的律師李佩昌表示,朱銘已知結果,提告是要爭取公平判決,寺廟具教化功能不應展示贗品。 

寺方:會上訴

玄空法寺住持法宣師父昨稱,「作品是民眾捐贈,寺方沒有買賣,會上訴讓法律還給我們清白。」
玄空法寺是台南知名景點,園區陳設奇石、神佛像及園藝造景,山川圍繞環境清幽,每逢假日吸引大批信徒造訪,至於引發爭議的偽造朱銘作品,現皆已移除。
二○一三年底,朱銘得知法寺公開展示他的太極、人間系列等多件銅雕,派人到場了解鑑定,發現全假貨,另查知法寺二○一二年間將「太極單鞭下勢」、「太極起式」等三件假銅雕,以五千七百萬元賣給徐男、許男。 

任由落款磨除

朱銘提告並求償九千萬元後,律師會同警方勘查,發現其中五件雕塑,原有朱銘的假落款,竟遭人磨除滅證,刑事部分仍在地檢署調查中,民事部分玄空法寺、黃全文推稱這些雕塑是由信徒捐贈,交由志工徐商義處理,寺方沒有鑑定真假能力,更沒有販售。
但智財法院找來兩名買家,證稱經介紹認識黃、徐,多次前往觀看甚至搬運,徐男更代表寺方提出讓渡書、保證書。
法官認定,法寺多年來收藏各種宗教、藝術文物,還興建文物館展示,可見具藝術鑑賞能力,且這些雕塑品是朱銘著名的太極、鄉土系列,真品市值數億元,一般信徒並無財力捐贈,法寺未造冊管理捐贈來源資料,甚至任人磨除朱銘落款,顯示法寺及黃男等人明知是贗品還銷售、展示,因此判決須連帶賠償朱銘四千八百萬元。 

雕塑大師朱銘求償細目

★擅賣「太極單鞭下勢」、「太極起式」等3件贗品,獲利5700萬元
.法院判決:無法證明寺方獲利5700萬元;難以計算實際損害額,依《著作權法》規定,以每件最高額500萬元計算,判賠1500萬元
★公開陳列、持有「太極十字手」、「雲手」等13件贗品。求償2800萬元
.法院判決:部分贗品未賣出,放置園區、文物館或倉庫,每件各判賠100至400萬元不等。共2800萬元
★磨除5件銅雕贗品的朱銘落款,侵害姓名權。求償500萬元
.法院判決:侵害朱銘著作人格權,每件以100萬元計算合理,共500萬元
資料來源:判決書 

Glenn Murcutt (born 25 July 1936) , Winner of the 2002 Pritzker Prize

Interview: Glenn Murcutt Talking Heads

In this interview, between Australian Architect Glenn Murcutt and Peter Thompson for ABC TV's Talking Heads program, Murcutt reveals his three rules in life: simplicity, simplicity, and "of course, simplicity". He speaks openly about his upbringing and childhood, about his inspirations and how he has grown and developed his passions as an architect.



Glenn Marcus Murcutt AO is a British-born Australian architect and winner of the 1992 Alvar Aalto Medal, the 2002 Pritzker Architecture Prize and the 2009 AIA Gold Medal. Wikipedia

Bowali Visitor Information Centre, Kakadu National Park, in collaboration with Troppo Architects

ArchDaily
Happy birthday Glenn Murcutt! Find out more about Australia's only Pritzker Architecture Prize winner here:

Winner of the 2002 Pritzker Prize, Glenn Murcutt (born 25 July 1936) has designed some of Australia's most innovative and environmentally sensitive buildings.
ARCHDAILY.COM