2018年9月30日 星期日

John William Waterhouse, The Lady of Shalott 1888,

John William Waterhouse, The Lady of Shalott 1888,

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John William Waterhouse
John William Waterhouse 001.jpg
Waterhouse, circa 1886.
Born6 April 1849
RomePapal States
Died10 February 1917 (aged 67)
London, England, United Kingdom
NationalityBritish
WorksHylas and the Nymphs
The Lady of Shalott
Ophelia
MovementPre-Raphaelite
Spouse(s)Esther Kenworthy Waterhouse
Parent(s)William and Isabella Waterhouse
John William Waterhouse RA (6 April 1849 – 10 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece.

John William Waterhouse, The Lady of Shalott 1888, on free display at Tate Britain in the 1940's display room http://bit.ly/2xOIuq9

美國爾灣順天美術館捐贈的600幅畫作中,有包括陳澄波、廖繼春、李梅樹、郭雪湖、李石樵、顏水龍、​呂基正、張義雄、洪瑞麟、廖修平等人的作品......


「這些畫不是我個人的,是台灣人的財產,要完整收藏,不要分散,有一天要回家、回到台灣」
美國爾灣順天美術館捐贈的600幅畫作中,有包括陳澄波、廖繼春、李梅樹、郭雪湖、李石樵、顏水龍、​呂基正、張義雄、洪瑞麟、廖修平等人的作品......

2018年9月27日 星期四

Krishen Khanna and the Progressive Artists’ Group


Radhika Chopra and Rajan Anandan
• After India’s independence, a dozen or so painters known as the Progressive Artists’ Group created a new artistic style to match the new country’s free spirit. An exhibit in New York is bringing their work to the West. Take a digital tour. Above, a painting by Krishen Khanna.

Krishen Khanna - Wikipedia   1925~

藤森照信的《 美術館三昧》,2004;李清志《 天堂美術館》


藤森照信的《
 美術館三昧》,2004,寫真家 藤塚光政,310頁;李清志《 天堂美術館,2008,160頁。主題都是美術館,有些館兩書都網羅,然而,日本的與台灣的品味大異其趣。以I. M. Pei及其日本合作單位的MIHO美術館為例,《 美術館三昧》用的形容詞是"浮世繪的",《 天堂美術館》用的"烏托邦式"......

2018年9月26日 星期三

Archilab: Radical Experiments in Global Architecture (2001);ArchiLab ( ArchiLab projects every year from 1999 to 2008)

ArchilabRadical Experiments in Global Architecture

Front Cover
Frédéric MigayrouMarie-Ange Brayer
Thames & Hudson, 2001 - Architecture - 528 pages

Over the last five years, the world of architecture has seen enormous changes in the sensibilities of young architects engaged in the complex issues presented by computerization and globalization. Their responses to this ever-shifting background for architecture and urbanism are surprising and challenging, and provide clues to how we might live and work in the future.
The brainchild of eminent critic and curator Frederic Migayrou, ArchiLab draws on an unprecedented range of sources and inspiration. The young architects featured here are extending the boundaries of spatialization, construction, and the human understanding of the built world. The results are richly varied and instructive: coming from very different cultural contexts, each studio filters its work through personal and often political reactions to local conditions and global trends.
The architects are described through detailed profiles, and their most recent projects are presented in over 2,000 illustrations. With essays by today's leading critics, historians, and theoreticians, this ambitious volume is a phenomenal collection of architectural ideas, a stunning visual documentation, and an inexhaustible source of design inspiration.


About the author (2001)

Lisa Anne Couture received her master of architecture from Yale University and is currently a faculty member at Parsons School of Design in New York. She has taught as a Muschenheim fellow at the University of Michigan, and as a visiting professor at the Harvard University Graduate School of Design and the University of Montreal, among other institutions.
Hani Rashid received his master of architecture from Cranbrook Academy of Art; he is an adjunct associate professor of architectue at Columbia University in New York. He has taught at the Harvard University Graduate School of Design; the Stadelschule in Frankfurt, Germany; the Royal Danish Academy in Copenhagen; and the Southern California Institute of Architecture in Los Angeles.
Frederic Migayrou is Conseiller pour les Arts Plastiques with the French Ministry of Culture in Orleans, France. He received his Ph.D. in philosophy at the Sorbonne and has written extensively on art, architecture, philosophy, and culture.
The texts have been written by Jane Alison, Barbican Art Gallery, London; Marie-Ange Brayer, Fonds Regional d'Art Contemporain du Centre, Orleans, France; Frederic Migayrou, Centre George Pompidou, Paris; and Neil Spiller, Bartlett School of Architecture, London.

Bibliographic information



****

ArchiLab

From Wikipedia, the free encyclopedia
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ArchiLab is an annual architectural exposition and conference held in Orléans in France. So far, there have been ArchiLab projects every year from 1999 to 2008. 

ArchiLab 2001[edit]

More than 90 architects were invited to present their projects during the third International meeting on Architectureheld in Orléans in 2001. This meeting brings together the architects of the world for whom lodging together is a chance for thinking about new conceptual strategies. Faced with an increasing standardization in the construction industry and the fashion of dwellings in constant change, the challenge of the innovator is to adapt to these times of constant change. Modern communications have introduced us to a greater cultural diversity but, on the other hand, increasing industrialization has led to uniformity in the construction process.
The projects are grouped in a way to represent various attitudes towards the question of housing.
  • Individual or collective habitation
  • Flexibility
  • Effects on landscape
  • New life styles
  • Subversion
  • Form and process of creation

External links[edit]


Main ArchiLab website (bilingual English/French)
ArchiLab 2001 English-language site

《現代建築家第二代》、《現代建築家第三代》、《建築戰後35年史》














2018年9月25日 星期二

L’Origine du monde

著名卻曾引發爭議並經歷禁封與解禁的世界名畫"世界起源"L’Origine du monde,經過152年的尋根搜索,據信終於查找到畫中模特兒的身份,為這幅享譽全球的名畫再添風采與魅力。法國世界報說,著名畫家庫爾貝畫中名人是當年埃及外交官哈利爾勒貝的一名情人,芳名為康斯坦絲蓋麗奧。該畫於1866年向畫家庫爾貝在訂製繪成。

The model for Courbet’s L’Origine du Monde has been re-identified – plus more recent art news: https://www.apollo-magazine.com/model-for-courbets-lorigin…/
APOLLO-MAGAZINE.COM

Art news daily: 25 September | Apollo Magazine
Model for Courbet’s L’Origine du Monde identified, Jeff Koons accused of plagiarism, and more

TRAD.CN.RFI.FR
著名卻曾引發爭議並經歷禁封與解禁的世界名畫"世界起源"L’Origine du 

Minimalism Design Source

亞洲版 

Page One (book publishing)


Minimalism Design Source
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Minimalism Design Source

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The term Minimalism has not always been used in a favourable sense, especially in architecture, and even today it may be the cause of some confusion and ambiguity. The problem comes from the words use in defining a creative current, school or trend when in fact it refers to an aesthetic. At the same time, this aesthetic is not chronologically well defined either and, moreover, interacts with different disciplines. This explains why we find minimalist buildings in periods very far apart from each other and in architects as different as Tadao Ando, Eduardo Souto de Moura, Jacques Herzog & Pierre de Meuron or Luis Barragn, among others. 

Minimalism DesignSource investigates the minimalism movement, covering the last years of the decade of the 1990s and the first years of the twenty-first century to inquires into the origins of the term minimalism and in how the minimalism phenomenon played out in other fields like art, painting, fashion, and sculpture has affected minimalism in architecture, define the result of the use of pure and simple lines, the reduction of language elements and, as far as architecture is concerned, the investigation of the treatment of space and of building possibilities.

手感工藝.美好生活提案



手感工藝.美好生活提案

系列名:Style iT
ISBN13:9789860537253
出版社:麥浩斯出版
作者:國立台灣工藝研究發展中心
裝訂/頁數:平裝/256頁
規格:23cm*17cm*2cm (高/寬/厚)
版次:1
出版日:2017/


賞析→實踐→傳承=美好工藝生活提案
日日使用.細細品味台灣好物
「超越一切,成為砥柱的工藝本質是『用』。」──日本民藝之父 柳宗悅
「工藝不希望只是生產傳統的樣式與製品,而是要徹底考慮現代人的生活方式,生產『生活的工藝品』。」──台灣工藝之父 顏水龍
生活之中的工藝,是真實的、親切的、沒有距離的美感經驗。工藝的精髓在於「用之美」,透過「使用」,美感得以成為立體的五感體驗。
本書不僅帶領讀者實地探訪台灣各地的中堅世代工藝職人工作室,了解新世代的工藝如何傳承、復興或是蛻變,另一方面,也透過生活風格達人們的示範,讓我們明白原來工藝可以如此與現代生活相契合!
【12位台灣中堅工藝職人.手感材質探索】
從臺灣工藝的材質與地域發展出發,深入探訪臺灣各地中堅世代的十二位工藝職人,透過直擊工藝創造生產的過程,欣賞這些融入創意巧思、淋漓發揮材質個性的精緻工藝,來了解匠人匠心的獨到處。
【10位生活風格達人.工藝美學示範】
工藝並非是僅能欣賞,若能在日常生活中使用,更能透過五感體會其美好獨特之處。透過十位生活風格家的示範,從「餐桌風景」、「居家生活」、「文房道具」與「衣著時尚」等四個生活面相,學習如何在現代生活中融入工藝風格,發現揉合手感特色的現代生活工藝好物,你也可以每天與工藝好物一起過美好生活!
【70件工藝選物.自然手感的當代生活實踐】
不管手握的一只茶碗、舒適躺著的木頭搖椅,或是肩上披著的藍染織巾,工藝透過使用可以更貼近當代生活。本書精選70件工藝設計美學風格好物,提供讀者最佳的實踐與採買資訊。

《好物相對論:生活器物》2015








好物相對論:生活器物

好物相對論:生活器物



 瓷器解致璋×蔡曉芳
  陶器毛森江×章格銘
  銀壺廖寶秀×陳念舟
  玻璃向原綠×林靖蓉
  琺瑯洪侃×呂燕華
  漆器黃麗淑×王清霜
  細木作林怡芬×閻瑞麟
  竹編駱毓芬×蘇素任


日本民藝之父柳宗悅說:「只有實際在生活中使用的,才是美的器物。」本書以有趣的相對論概念切入,從「使用者」角色出發,帶出「物」之美,再從物的鑑賞,帶到「創作現場」,見證工藝職人的創造過程。報導者化身為工藝鑑賞之旅的帶路人,以好物為媒,以故事為餌,引領大家穿梭各種美學現場,讀者不但可從中見識到許多生活家精采的用物觀點與美感品味;還可以一次領略多位臺灣工藝創作職人的藝術信念與創作歷程。是貼近生活、活潑又有趣的工藝鑑賞入門書。附錄並提供職人名家所推薦之好物鑑賞採購資訊。
〈撰文〉

盧怡安


  資深文字工作者,於《商業周刊》工作有十年經歷。主要作品有《alive品味書:品味巴黎特刊》等。

黃采薇

  資深旅遊記者,現為獨立文字工作者,《旅讀中國》等兩岸媒體特約撰述。

駱亭伶

  把採訪當成旅行的文字記者。覺得採訪是忠實的聆聽,寫稿像角色扮演,在兩者間捕捉光輝與幽暗的細節,人生的可苦可樂。

蘇惠昭

  資深自由撰稿人,文字散見台灣、中國大陸各媒體。靠著採訪人物蒐集精采生命故事並從中竊取人生智慧,滋養平凡平淡生活。

陳淑華

  資深文字工作者。曾任《經典雜誌》與《大地地理雜誌》撰述及採訪召集人。著有《島嶼的餐桌》、《彰化小食記》等。曾獲金鼎獎、中時開卷美好生活書獎。

葉益青

  喜歡寫字閱讀拍照,寫過《蔬菜美味事典》、《台灣的市場》、《老字號的故事》等書;喜歡老東西與晃蕩於台灣各地,是個養貓人;曾是編輯、作者、企畫、藝術行政工作者……,悠然享受不同領域工作的樂趣。

〈攝影〉

林宥任

  資深雜誌書籍專案攝影暨策展人。作品廣見《鄉間小路》、《親子天下》等。個人攝影展:我愛貓(高雄駁二)、通往職人的道路(台北蘑菇)等。
 

目錄

序︰傾聽生活與工藝的美好交會

瓷器
●好用,就是好物解致璋
●將古典燒出當代溫度蔡曉芳

陶器
●不完美,更值得玩味毛森江
●出世的作品,入世的靈魂章格銘

銀壺
●百鍊千錘,器由心生廖寶秀
●讓茶文化走入生活陳念舟

玻璃工藝
●好品味,來自日常的堅持向原綠
●這麼冷靜,又那麼熱情林靖蓉

琺瑯器
●愛上歲月的痕跡洪侃
●用火作畫,照亮每一天呂燕華

漆器

●台灣本色漆之華黃麗淑
●八十載漆藝人生王清霜

細木作
●人使用物品,物品定義了人林怡芬
●用木頭寫生活的詩閻瑞麟

竹編
●讓古早創意走進當代生活駱毓芬
●編出多變的美感蘇素任

附錄:與好物相遇
 

自序
  
傾聽生活與工藝的美好交會

  
  打開《好物相對論-生活器物》,我們看到茶人解致璋將曉芳窯的古典瓷器靈活巧妙地運用於各種茶席中,既現代又有個性;再走進工作室拜訪蔡曉芳,一邊聽這位瓷器大師娓娓道出四十多年來如何摸索精進,重現了千年國寶,燒製出當代溫度,一邊看著羅列的鈞窯茶碗,從形、色、質展現讓人目眩神迷的細致變化,一種「比宋徽宗還要幸福」的自得感不覺油然而生。
  
  翻開《好物相對論-手感衣飾》,建築設計學者安郁茜生動描述洪麗芬的湘雲紗作品在工藝與時尚舞台的獨特卓越,又從各種細節一一解說分析,甚至身體力行,親自示範演繹湘雲紗服裝的日常穿搭,工藝精神能夠如此貼身感受,讓人一讀難忘。接著來到洪麗芬工作室,在充滿創新與實驗精神的的工作場域裡,名揚國際的服裝大師分享她如何從湘雲紗這塊傳統布料提煉出工藝作法,加以創新運用在絲、棉、蕾絲等不同的材質上,再將東方開闊線條融合西方塑型裁剪,終於創作出融合東西交流的新風格,成就SophieHONG品牌的歷程,步步足跡,宛如親歷。
  
  這二冊書共涵蓋如以上例舉十六種工藝領域、三十多位名家達人的專訪,除了生活家與工藝家的相對論,還有設計師與工藝師的對話,兩代工藝創作人的分享激盪,以及不同領域工藝創作人間的惺惺相惜,每一組故事都非常精彩生動。我們希望,透過傾聽生活與工藝的美好交會經驗,讓大家願意慢下腳步,靜心經營生活,也許就從一只茶杯和一條手染絲巾開始,關注珍惜從臺灣土地生長出來的工藝好物,也就是支持鼓勵背後默默用心耕耘的工藝創作人及整個產業鏈,這也將是臺灣走出自己的美學風格,重新在世界找到立足點的重要力量所在。(文/國立臺灣工藝研究發展中心主任許耿修,以上為節錄)

高木森《中國繪畫思想史》《亞洲藝術》Art of Asia《自說自畫》《元氣淋漓:元畫思想探微》;《明山淨水─明畫思想探微》


高木森《中國繪畫思想史》《亞洲藝術》Art of Asia《自說自畫》《元氣淋漓:元畫思想探微》;《明山淨水─明畫思想探微》,都由台北東大突書出版。
《亞洲藝術》2000;《明山淨水─明畫思想探微》2005

《》 
明山淨水─明畫思想探微
高木森
台灣彰化市人,1942年生。國立台灣大學外文系畢業,中國文化大學藝術研究所碩士,美國堪薩斯大學藝術史碩士、哲士、博士。先後任教於美國堪薩斯藝術學院、香港中文大學、美國俄亥俄州肯特大學,現為美國加州聖荷西大學終身教授,曾多是返台任東海大學及國立台灣師範大學訪問教授。著作有「自說自畫」、「五代北宋的繪畫」、「西周青銅彝器彙考」、「印度藝術概論」、「中國繪畫思想史」、「宋畫思想探微」、「元氣淋漓:元畫思想探微」、「亞洲藝術」等中文書十餘種。及 The Life and Art of Li Kan, Art of Asia, East Meets West in Art 等英文專著。另有學術論文一百二十餘篇,雜文二十餘篇。繪畫作品曾在台灣、日本、香港、中國大陸及美國各地展出。




高木森與游惠雅師生展 在美加州登場2018-07-12 22:51經濟日報 曹松清高木森作品。 游惠雅/提供
游惠雅作品。 游惠雅/提供


「高木森與游惠雅雙個展」於7月17到28日,在美國加州聖荷西州立大學圖書館畫廊展出,7月28日下午2點舉行茶會。



高木森是聖荷西大學退休榮譽教授,也是台灣藝術大學的客座教授。從事繪畫創作和藝術史研究與教學50多年,繪畫創作受益於豐富的經歷,作品變化多端,曾在世界各地展出。此次展出彩墨畫,有傳統畫,也有極為新奇的現代畫。

游惠雅是高木森教授在台藝大客座時的碩士班學生,現在任教於國立空中大學及南亞技術學院,教授的是生活美學及美術與生活等科目。其從事繪畫、書法、篆刻、詩文、陶藝、銀飾品、珠寶等創作與研究及教學約30年。

游惠雅擔任過許多學會、協會的會長及常務理監事與理監事等職務,且榮獲許多獎項,所以有5次個展及200多次聯展經歷,這次她展出的作品包括書法和繪畫,風格也是從傳統到現代。
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2018年9月24日 星期一

Sea sculpture by artist Jason deCaires Taylor demolished for human forms depicted in the work are anti-Islamic

Sea sculpture by artist Jason deCaires Taylor demolished by authorities after court rules human forms depicted in the work are anti-Islamic
THEGUARDIAN.COM
Maldives marine artwork destroyed for being a 'threat to Islamic unity'