《葉維廉文集 第5卷》安徽教育出版社，頁095-109
《g.農業廢料》Agricultural Waste 1987， 107-1.9沒日期先生 60歲的一次遊戲
Allan Kaprow (August 23, 1927 – April 5, 2006) was an
American painter, assemblagist and a pioneer in establishing the
concepts of performance art. He helped to develop
the "Environment" and "Happening"
in the late 1950s and 1960s, as well as their theory. His Happenings - some 200
of them - evolved over the years. Eventually Kaprow shifted his practice into
what he called "Activities", intimately scaled pieces for one or
several players,
devoted to the study of normal human activity in a way congruent to ordinary
life. Fluxus, Performance
art, and Installation art was, in turn, influenced by his
work.
http://en.wikipedia.org/wiki/Allan_Kaprow
Published works
Assemblage,Environments, and Happenings (1966) presented the work of like-minded artists through both photographs and critical essays, and is a standard text in the field of performance art. Kaprow's Essays on the Blurring of Art and Life (1993), a collection of pieces written over four decades, has made his theories about the practice of art in the present day available to a new generation of artists and critics. [9]
*****
關於觀念藝術如何排斥傳統的藝術標準，已經談得很多。其實，
無疑的，某些美學家會說價值的改變對藝術而言，
*****
pp.64-65 一小段談 Allan Kaprow
Modern Art: A Very Short Introduction
ISBN13: 9780192803641ISBN10: 0192803646
Paperback, 152 pages
Apr 2005,
In Stock
Retail Price to Students:
$11.95 (03)
152 pages;
29 halftones;
4-1/2 x 7;
This Very Short Introduction focuses on interrogating the idea
of "modern" art by asking such questions as: What makes a work of art
qualify as modern, or fail to? How has this selection been made? What is
the relationship between modern and contemporary art? Is
"postmodernist" art no longer modern, or just no longer modernist? In
either case, why--and what does this claim mean, both for art and the
idea of "the modern?"
Description
Public interest in modern art continues to grow, as witnessed by the spectacular success of the Tate Modern in London and the Bilbao Guggenheim. Modern Art: A Very Short Introduction engages general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. The book focuses on interrogating the idea of "modern" art by asking such questions as: What makes a work of art qualify as modern, or fail to? How has this selection been made? What is the relationship between modern and contemporary art? Is "postmodernist" art no longer modern, or just no longer modernist? In either case, why--and what does this claim mean, both for art and the idea of "the modern?"Cottingham examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed (1999). He also looks at the role of the dealer from the main Cubist art dealer Kahnweiler, to Charles Saatchi.
About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam
Features
- This book grapples clearly and provocatively with the complex idea of modern art
- The author, David Cottington, writes clear and accessible, free of jargon but not of challenging ideas and arguments
- The book covers all main artists and movements, as well as the new developments in modern art
- Examines key aspects of modern art using examples such as Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed (1999)
- Looks at the role of the art dealer, from the main Cubist dealer, Kahnweiler to Charles Saatchi
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