拿到《 另眼看藝術》( Keeping an Eye Open: Essays on Art By JULIAN BARNES )
最先讀末篇，記/給Howard Hodgkin ，因為漢清講堂作過記念 Howard Hodgkin 的影片。
https://www.youtube.com/watch?v=3iV0DSTw584&t=10s
沒想到JULIAN BARNES 與 Howard Hodgkin 是好友。
我只想說， Howard Hodgkin 到印度辦畫展，有人說，看完展，你讓我對英國畫家的看法完全改觀。Howard Hodgkin 哭了！
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本書另一處談到"愛之而泣之"處，是談Édouard Vuillard (1868~1940) Misia Sert 的回憶錄中記
Vuillard 與 Misia 行經甜菜田，他為使她保持平衡，挽著她，兩眼交接時，Vuillard 對泣之。
Misia 說：
拿到《 另眼看藝術》( Keeping an Eye Open: Essays on Art By JULIAN BARNES )
最先讀末篇，記/給Howard Hodgkin ，因為漢清講堂作過記念 Howard Hodgkin 的影片。

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147 紀念Howard Hodgkin 漢清講堂 2017-03-18
https://www.youtube.com/watch?v=3iV0DSTw584&t=10s
沒想到JULIAN BARNES 與 Howard Hodgkin 是好友。
我只想說， Howard Hodgkin 到印度辦畫展，有人說，看完展，你讓我對英國畫家的看法完全改觀。Howard Hodgkin 哭了！
---
本書另一處談到"愛之而泣之"處，是談Édouard Vuillard (1868~1940) Misia Sert 的回憶錄中記
Vuillard 與 Misia 行經甜菜田，他為使她保持平衡，挽著她，兩眼交接時，Vuillard 對泣之。
Misia 說：
"It was the most beautiful declaration of love ever made to me."
(
Misia Sert 1872~1950 - Wikipedia
Misia Sert 後來嫁Thadée Natanson，從夫姓。Vuillard was unmarried, but his personal life and his work were greatly influenced by his women friends. In the late 1890s he began a long relationship with Misia Natanson, the wife of his important patron, Thadée Natanson.)
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https://en.wikipedia.org/wiki/%C3%89douard_Vuillard
- Paperback: 238 頁
- 出版商：Art Gallery of Ontario (1971)
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Levels of Life By Julian Barnes 《生命的層級》 我對人們濫用"溺愛妻子的 "uxorious""這一形容詞怒不可遏
深度之失
p.21
Odilon RedonEye-Balloon (Œil-ballon)1878https://www.moma.org/collection/works/33013
p.105 奧蒂隆·雷東為--引言 1869年：1880年、カミーユ・ファルグ (Camille Fargue) と結婚。『森の精神』1880年；Self-Portrait, 1880, Musée d'Orsay
奧迪隆·雷東（原名伯特蘭-讓·雷東，法語：Odilon Redon，法語發音：[ʁədɔ̃]，1840年4月20日－1916年7月6日）是法國象徵主義畫家、版畫家、製圖員以及粉蠟筆畫家。a French symbolist painter, printmaker, draughtsman and pastellist.
Wikipedia 的 Odilon Redon，只有法文本有他妻子姓名
The Kröller-Müller Museum in Otterlo, The Netherlands, had an exhibition with an emphasis on the role that literature and music played in Redon's life and work, under the title La littérature et la musique. The exhibition ran from 2 June to 9 September 2018.[19]
"Odilon Redon: La littérature et la musique;". Retrieved 2018-08-10.
Flaubert believed that great paintings required no words of explanation. But, as Barnes notes, it is a rare picture that stuns, or argues, us into silence. And when this does happen, we feel compelled to explain the very silence into which we have been plunged. In this illuminating collection of essays on art, Barnes turns his narrative gifts toward some of the most important paintings in the Western canon, eloquently voicing our reactions to these images—what they cause us to think and feel, and why.
From Gericault’s The Raft of the Medusa to Degas’s The Dance Lesson to Braque’s Cubism to the “good soft fun” of Oldenburg, Barnes effortlessly fits these pieces into the larger dramas of the artists’ lives and works. Taken together, these essays give us a wonderful overview of art from Romanticism onward—and are a true pleasure to read.
目次
多く使われている語句
admired aesthetic artist Baudelaire biography Bonnard Braque Braque’s Bridgeman Images called canvas century Cézanne Cézanne’s Claes Oldenburg colour Courbet Credit critic Cubism Danchev death decorated Degas Degas’s depicted Edmond de Goncourt Édouard Édouard Manet Édouard Vuillard Fantin Fantin-Latour Fauvism feel Félix Vallotton figure Flaubert flesh flowers France French Gallery Gayford Géricault Goncourt head Henri Fantin-Latour Howard Hodgkin human imagine Ingres L’Atelier landscape later lived London look Lucian Freud Magritte Magritte’s Manet married Marthe Matisse Maximilian Medusa Misia modern Musée d’Orsay Museum Nabi naked narrative never novelist nude Odilon Redon Oldenburg once one’s painter painting Paris perhaps Photo Picasso picture picture’s Pierre Bonnard portrait raft Redon Salon sculptures seems sitter sitting spectator story studio survivors Sylvester things thought truth turned Vuillard woman women words write wrote Zola
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