EMe Muskan ouvre les cahiers. 在「 les ateliers et les artistes. . . . 」相簿中新增了 1 則貼文。
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EMe Muskan ouvre les cahiers. 在 les ateliers et les artistes. . . . 相簿中新增了 1 張相片。
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"I must precisely define the character of the object or of the body that I wish to paint. To do so, I study my method very closely: If I put a black dot on a sheet of white paper, the dot will be visible no matter how far away I hold it: it is a clear notation. But beside this dot I place another one, and then a third, and already there is confusion. In order for the first dot to maintain its value I must enlarge it as I put other marks on the paper." (Flam, p. 37)
"I cannot copy nature in a servile way; I am forced to interpret nature and submit it to the spirit of the picture. From the relationship I have found in all the tones there must result a living harmony of colors, a harmony analogous to that of a musical composition." (Flam, p. 37)
"The simplest means are those which best enable an artist to express himself. If he fears the banal he cannot avoid it by appearing strange, or going in for bizarre drawing and eccentric color. His means of expression must derive almost of necessity from his temperament. He must have the humility of mind to believe that he has painted only what he has seen…Those who work in a preconceived style, deliberately turning their backs on nature, miss the truth. An artist must recognize, when he is reasoning, that his picture is an artifice; but when he is painting, he should feel that he has copied nature. And even when he departs from nature, he must do it with the conviction that it is only to interpret her more fully." (Flam, p. 39)
(*) Henri Matisse Quotes from 'Notes of a Painter' , by Jack D. Flam's book, "Matisse on Art"
photograph: Henri Matisse at his Vence studio with his birds and plants, 1946. Photograph by Hélène Adant
© Hélène Adant. Centre Pompidou - Mnam - Bibliothèque Kandinsky - Hélène Adant
via Royal Academy of Arts
待補
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| Established | 1963 |
|---|---|
| Location | 164, Avenue des Arènes de Cimiez 06000 Nice, France |
| Type | Art museum |
| Website | www.musee-matisse-nice.org/ |
The Musée Matisse in Nice is a municipal museum devoted to the work of French painter Henri Matisse. It gathers one of the world's largest collections of his works, tracing his artistic beginnings and his evolution through his last works. The museum, which opened in 1963, is located in the Villa des Arènes, a seventeenth-century villa in the neighborhood of Cimiez.[1]
Description[edit]
The Villa des Arènes was constructed from 1670 to 1685. Upon its completion, it was named the Gubernatis palace after its sponsor and owner, Jean-Baptiste Gubernatis, then consul in Nice. The villa took its current name in 1950, when the City of Nice, anxious to preserve it, bought it from a real estate company.
The museum's permanent collection is made up of a variety of donations, primarily those of Matisse himself, who lived and worked in Nice from 1917 to 1954, and those of his heirs, as well as works contributed by the State. The museum houses 68 paintings and gouaches, 236 drawings, 218 prints, 95 photos, 57 sculptures and 14 books illustrated by Matisse, 187 objects that belonged to the painter, and prints, tapestries, ceramics, stained glass and documents
Google 翻譯 待修正
博物館的永久收藏品由各種捐贈組成，主要是1917年至1954年在尼斯生活和工作的馬蒂斯本人及其繼承人的捐贈，以及國家捐贈的作品。 博物館收藏了68幅水粉畫，236張圖紙，218張印刷品，95張照片，57件雕塑和14幅馬蒂斯插圖的書籍，187件屬於畫家的物品，以及版畫，掛毯，陶瓷，彩色玻璃和文件
修正
博物館的永久收藏品由各種捐贈組成，主要是1917年至1954年在尼斯生活和工作的馬蒂斯本人及其繼承人的捐贈，以及國家捐贈的作品。 博物館收藏了68幅油畫和水粉畫，236張素描，218張版畫，95張照片，57件雕塑和14本馬蒂斯插圖的書籍，187件屬於畫家的物品，以及版畫，掛毯，陶瓷，彩色玻璃和文件
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