2021年1月28日 星期四

不可思議的畫家:Sandro Botticelli(山德羅·波提且利,1445-1510),Wikipedia萬國語言初讀

  不可思議的畫家:Sandro Botticelli(山德羅·波提且利,1445-1510),Wikipedia萬國語言初讀


https://www.facebook.com/hanching.chung/videos/4153932084617567

2021年1月24日 星期日

禮拜天美術神遊 (18) : 現代繪畫之父愛德華·馬奈Édouard Manet (1832~1883)

  禮拜天美術神遊 (18) : 現代繪畫之父愛德華·馬奈Édouard Manet (1832~1883)

https://www.facebook.com/hanching.chung/videos/4139298516080924

2021年1月20日 星期三

James Cahill, 高居翰的中國繪畫之旅/故事, 1926-2014.

James Cahill published hundreds of articles on Chinese and Japanese art, as well as more than a dozen books.[7] He built a significant collection of Chinese and Japanese art, and gave much of it to the Berkeley Art Museum.[4] In 1993 he delivered the Edwin O. Reischauer Lectures at Harvard. In 2010 he was awarded the Charles Lang Freer Medal by the Smithsonian Institution for his lifetime contributions to art history.


詹姆斯·卡希爾(英語:James Cahill,1926年8月13日-2014年2月14日),漢名高居翰,美國加利福尼亞州人,美國漢學家

生平[編輯]

畢業於加州大學伯克利分校東方語言學系本科畢業,1952年和1958年分獲密西根大學安娜堡分校藝術史碩士、博士學位,求學於羅樾,後在瑞典等地工作。之後返回美國,供職於華盛頓弗利爾美術館、加州大學伯克利分校藝術史教授。2014年2月去世[1][2]

參考來源[編輯]


http://jamescahill.info/home-1/bibliography



中國繪畫史,1960/1984
Chung-kuo hui-hua shih.  Translation by Li Yü (Stella Lee) of my Chinese Painting (Skira, 1960).  Taipei, 1984.

Zhongguo minghua jicui (Chinese translation of my Chinese Painting, 1960.  Translated by Zhu Yongyi, Chengdu, Sichuan Fine Arts Publishing Company, 1987.)
(Note:  This is the second translation into Chinese of this book to be published; another, by my former student Stella Lee, was published in Taiwan in 1984, see above.)
(Note: Chinese-language editions of two of my books, Hills Beyond a River: Chinese Painting of the Yüan Dynasty and The Compelling Image: Nature and Style in 17th-century Chinese Painting, were published in Taipei in September, 1994 by Rock Publishing International under the titles Ko-chiang shan-se and Ch'i-shih han-jen, respectively. A very favorable review of both by Ho Huai-shuo appeared in the largest newspaper in Taiwan, Chung-kuo shih-pao or China Times, October 13, 1994, p. 43.)

Note: an article by my former student Stella Lee (Li Yu), based on the text of one of my forthcoming video-lectures (a Supplement to my Freer Medal Acceptance talk), was published in the Taiwan magazine Ink Literary Magazine, vol. 7 no. 8, Series no. 82, April 2011, pp. 152-171, under a title translatable as “Storm On the Shore: A Disclosure of the Makings of Riverbank’s Would-be Authenticity.” 


The art of Southern Sung China

CahillJames, 1926-2014.
1976


Hills beyond a river : Chinese painting of the Yüan Dynasty, 1279-1368

CahillJames, 1926-2014.
1976





Three alternative histories of Chinese painting

CahillJames, 1926-2014.
1988




Pictures for use and pleasure : vernacular painting in high Qing China

CahillJames, 1926-2014.
2010



外部連結[編輯]

  • James Cahill. Website containing Cahill's blog, video lectures, papers, articles, biographical material, and tributes to him.
***

Publikationen (Auswahl)[Bearbeiten | Quelltext bearbeiten]

  • Chinesische Malerei. Genf 1960 (Die Kunstschätze Asiens)
  • Chinesische Malerei 11.–14. Jahrhundert. Hannover 1961
  • The Art of Sung China. New York 1962
  • Hills beyond a River: Chinese Painting of the Yuan Dynasty, 1279–1368. New York 1976
  • An Index of Early Chinese Painters and Paintings: Tang, Song, and Yuan. Berkeley: University of California Press, 1980
  • The Painter’s Practice. How Artists Lived and Worked in Traditional China. New York, Columbia University Press, 1994, ISBN 978-0-231-08181-8
  • Yang Xin, Richard M. Barnhart, Nie Chongzheng, James Cahill, Lang Shaojun, Wu Hung (trad. Nadine Perront): Trois mille ans de peinture chinoise. Éditions Philippe Picquier, 1997

Ein vollständigeres Verzeichnis seiner Publikationen liefert eine Bibliographie.[2]

Anmerkungen[Bearbeiten | Quelltext bearbeiten]

  1.  Graham Bowley: James Cahill, Influential Authority on Chinese Art, Dies at 87. New York Times, 18. Februar 2014.
  2.  Bibliography

Weblinks[Bearbeiten | Quelltext bearbeiten]


2021年1月2日 星期六

談Limelight《舞台春秋》(1952/1972) 的一段;卓別林(Charles Chaplin, Jr):Calvero.Thereza "Terry" Ambrose (Claire Bloom),夏河洛( Charlot )神話

談Limelight《舞台春秋》(1952/1972) 的一段;卓別林(Charles Chaplin, Jr):Calvero.Thereza "Terry" Ambrose (Claire Bloom),夏河洛( Charlot )神話


新潮文庫的兩本可幫助我們進一步了解此片Limelight《舞台春秋》卓別林自傳,此書說《舞台春秋》是最有票房的,說明其幕前幕後,他在法國、義大利和英國等地的宣傳/試映,城工情形。
法國的《卓別林的電影藝術》,從其一生,約51年的從影經驗,談其主角為夏河洛( Charlot )神話的變形.....

觀者應該知道,此部為1952 的作品,導演、主角、音樂等,都由卓別林(Charles Chaplin, Jr)擔任......




卓別林(Charles Spencer Chaplin, Jr)

(西元1889.4.16—1977.12.25)

英國喜劇演員。從小就登台表演,成名後至美國成立電影公司,從製片、編劇、導演、演出與配樂,均親力親為。作品廣受全世界影迷瘋狂熱愛,歷久不衰。



  泰芮 "Terry" :「我開始覺得,這世上的一切都是白費氣力的。就算是看了花、聽了音樂,也是沒有任何目的、沒有任何意義的事。」

卡弗羅Calvero.:「追求意義是毫無益處的。人生最要緊的是欲望,根本別管什麼意義。所有生物的生存目標都是欲望。正因為各自有各自的欲望,所以玫瑰才會綻放出嬌豔奪目的花朵、岩石會永遠堅剛地鎮鼎在山頭,大家都各朝目標地努力著。……是呀,你看人生多美好!只要別心懷恐懼,最重要的是勇氣、是想像力呀!」

節自 電影《舞台生涯》對白
影片第28分起 ,對話與上述有出入
https://www.youtube.com/watch?v=gSz9uR8ej0k





The fact that the young, beautiful Terry finds life meaningless provides endless opportunities for neo-Schopenhauerian11 posing and posturing on Calvero’s part, delivered with limitless self-satisfaction on Chaplin’s part: “Life is not a meaning, child! Life is a desire! It’s what makes a rose want to be a rose, and a rock want to be a rock!” His imitations of a rose wanting to be a rose and a rock wanting to be rock don’t thrill me, but Terry naturally finds them enchanting.


There are those who will easily read into it a veiled biography of Mr. Chaplin himself, not to mention a pretty full expression of his personal philosophies. There may be some justification for this. One tangible weakness of the film is the garrulous discussion of human foibles and paradoxes that Mr. Chaplin permits himself.But, within the two hours and fifteen minutes that the picture eventually runs, he also gives a full measure of inspired Chaplin comedy. By various devices, he gets into, first, one hilarious routine in which he plays a commanding flea-trainer, dressed up in a ring-master's duds, and then a rollicking music hall nonsense to "Oh, For the Life of a Sardine." Best of his numbers, however, is a slam-bang burlesque pantomime of a violin-piano concert, with Buster Keaton as the accompanist on the keys.And certainly Mr. Chaplin's associates in this amiable enterprise contribute their comparable measure of artistry and charm to its success.






影評


THE SCREEN: CHAPLIN'S 'LIMELIGHT' OPENS; Charlie ...
w




ww.nytimes.com › archives › the-sc...


· このページを訳す
"Limelight" is not a great film. It is a genial and tender entertainment and a display of audacity and pride. There are those who will easily read into it a veiled biography of Mr. Chaplin himself, not to mention a pretty full expression of his personal philosophies.



Looking at Charlie — Limelight: An Occasional Series on the Life and Work of Charlie Chaplin


https://brightlightsfilm.com/looking-at-charlie-limelight-an-occasional-series-on-the-life-and-work-of-charlie-chaplin/#.X-ra4dgzbIU

As lame and self-indulgent as Limelight is, it had a remarkable three-, five-, or even seven-carom billiard shot impact on American culture, because it helped turn a feckless, failed playwright named Pauline Kael into a film critic. Lawrence Van Gelder tells the story in his obituary for Kael in the New York Times: “The turning point in her life came, as in a Hollywood script, when she was discovered in a coffee shop in the Bay Area in 1953. She was arguing about a movie with a friend when the editor of City Lights magazine asked them each to review Chaplin’s Limelight. The friend turned in nothing. Ms. Kael’s review called the film ‘slimelight,’ and a career was born.

Carom definition is - a shot in billiards in which the cue ball strikes each of two object balls. 
Slimelight is a London club night. It is the longest running alternative-dark scene club event in the world, and has been at its present location, Electrowerkz, since 1987.


舞台春秋
Limelight

基本資料


Charlie Chaplin and Claire Bloom in Limelight


舞台春秋》是1952年上映的喜劇片。《舞台春秋》由查理·卓別林自編、自導,並和克萊爾·布魯姆合演,以及有巴斯特·基頓的演出。在表演芭蕾舞的片段,克萊爾·布魯姆是以Melissa Hayden為替身。《舞台春秋》其電影配樂是卓別林所作以及由Ray Rasch編曲。

電影情節[編輯]

故事發生在1914年的倫敦,於第一次世界大戰前夕。(1914年是卓別林第一次拍電影的年份) 。Calvero (由卓別林飾演)曾經是一位著名的小丑,但現在卻是一個醉鬼。他救了一名企圖自殺的年輕舞蹈員Thereza (別名是Terry,由克萊爾·布魯姆飾演)。

Calvero 令她的身體狀況轉好,並不斷地鼓勵她,可是他自己本身的恢復卻不甚成功。Terry終於都因此而能再次行走,她向Calvero表達了情意,更說她想嫁給他,而且並不介意他們之間的年齡差距,即使Calvero認為她曾經幫助過的作曲家Neville更加適合作她的伴侶。

因為這樣,Calvero離開了Thereza,成為了一名街頭表演者。而Thereza則擁有了屬於她的演出,後來終於都能和Calvero重會,並說服他重返舞台。

終於,他再次贏得觀眾由衷的掌聲,更在觀眾的要求下安可,並和他的老拍擋Keaton一起同台演出。Calvero的演出質素成功地回復過來,但他卻在演出的高峰時心臟病發作,觀眾在不知情的情況下仍想Calvero再次演出。因此,Calvero親自和他們說:「這是一個美妙的晚上,我很想繼續,但我被套住了。」在掌聲過後,Calvero在見了Thereza一面之後不久便與世長辭了。



From Wikipedia, the free encyclopedia

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Limelight
Limelight (1952) - original theatrical poster.jpeg
Original theatrical release poster
Directed by
Produced byCharlie Chaplin
Written byCharlie Chaplin
Starring
Music byCharlie Chaplin
CinematographyKarl Struss
Edited byJoe Inge
Production
company
Celebrated Productions
Distributed byUnited Artists
(1952 release)
Columbia Pictures
(1972 release)
Release date
  • October 23, 1952 (United States)
Running time
137 minutes
CountryUnited States
LanguageEnglish
Budget$900,000[2]
Box office$1,000,000 (domestic)
$7,000,000 (outside USA)[2]

Limelight is a 1952 comedy-drama film written, produced, directed by, and starring Charlie Chaplin, based on a novella by Chaplin titled Footlights.[3] The score was composed by Chaplin and arranged by Ray Rasch.

The film stars Chaplin as a washed-up comedian who saves a suicidal dancer, played by Claire Bloom, from killing herself, and both try to get through life; additional roles are provided by Nigel BruceSydney Earl ChaplinWheeler Dryden, and Norman Lloyd, with an appearance from Buster Keaton. In dance scenes, Bloom is doubled by Melissa Hayden.

Upon the film's release, critics' reception was divided; it was heavily boycotted in the United States and failed commercially. However, the film was re-released in the United States in 1972, which included its first screening in Los Angeles. This allowed the decades-old film to be in contention for the 45th Academy Awards where Chaplin won his only competitive Oscar. Today, the film is sometimes regarded as one of Chaplin's best and most personal works, and has attained a cult following.

Plot[edit]

The movie is set in London in 1914, on the eve of World War I, and the year Chaplin made his first film. Calvero (Charlie Chaplin), once a famous stage clown, but now a washed-up drunk, saves a young dancer, Thereza "Terry" Ambrose (Claire Bloom), from a suicide attempt. Nursing her back to health, Calvero helps Terry regain her self-esteem and resume her dancing career. In doing so, he regains his own self-confidence, but an attempt to make a comeback is met with failure. Terry says she wants to marry Calvero despite their age difference; however, she has befriended Neville (Sydney Earl Chaplin), a young composer who Calvero believes would be better suited to her. In order to give them a chance, Calvero leaves home and becomes a street entertainer. Terry, now starring in her own show, eventually finds Calvero and persuades him to return to the stage for a benefit concert. Reunited with an old partner (Buster Keaton), Calvero gives a triumphant comeback performance. He suffers a heart attack during a routine, however, and dies in the wings while watching Terry, the second act on the bill, dance on stage.