2021年11月17日 星期三

川本三郎 《現在,依然想念妳 /いまも、君を想う》賴明珠譯......The State Tretyakov Gallery 特列季亞科夫畫廊

 

現在,依然想念妳

現在,依然想念妳

https://www.facebook.com/hanching.chung/videos/190477089852504

現在,依然想念妳

いまも、君を想う

這是人世間至死不渝的夫婦之情
死神真的把我們分開了,但思念,沒有任何力量可以阻擋

《我愛過的那個時代》作者川本三郎  最深情的一冊
封面設計由作家洪愛珠真摯跨刀

  「看完此書的任何一位讀者吧,都會愛上川本的妻,川本惠子。
  他們倆珍貴示範了一種同盟關係,逝者已逝,
  但逝者並不逝去且一次次又再被發現的激賞,和鍾情。」――朱天文

  川本三郎,一位溫厚情深之人,以清淺的筆觸,寫下夫妻間動人的小事:
  互相爭奪「家貓」的寵愛,相約去吃「難吃」的東西,
  最開心的台灣「冒名」之旅,從時尚角度討論電影文化的樂趣;
  在繡球花開的季節,沿著鐵道線攜手散長長的步;一起在公園中「回憶的長椅」上小憩……

  走過《我愛過的那個時代》的川本三郎,歷經被報社去職的人生黑暗期、轉任自由工作後收入不穩的長期經濟壓力,妻子惠子女士始終不離不棄,一路上樂觀、開朗地展現扶持共度的決心,即使到了生命最後,擔心的仍是對照顧自己的丈夫過意不去,對此,川本三郎說:

  「妻子麻煩丈夫是天經地義的――在一起三十幾年,終於明瞭了這件事。但願能再麻煩久一點……」
  「我們共度三十五年間的微小日常裡,謝謝妳一直都在。」

  ※※※

  有一種所謂「回憶的長椅」。

  東京都有一座公園,只要付出相應的費用,就可以幫你放一張長椅。讓對該公園有特別回憶的人,心懷感謝地設置長椅。

  內人和我每天早晨到善福寺川綠地散步的最後的日子,休息時所坐的就是這「回憶的長椅」。椅背上寫著「和孫子玩耍的回憶」,或「喜歡這公園的內人的回憶」等文字。

  今年冬天,我想在善福寺川綠地請他們設置一張回憶的長椅。因為在這公園的日子,我和內人留下最後快樂的回憶。(摘自本書內文)

名人推薦

  侯孝賢、詹宏志、陳雨航、傅月庵、朱天文、朱全斌、韓良憶、洪愛珠、劉梓潔、王盛弘、李明璁 感動推薦

評論

  說不定是因為川本先生欣賞的目光,使得惠子女士愈發燦爛也不一定……兩人從相遇到分離,有時像老夫老妻,有時像小孩一般,那些時光一層一層疊上去。一章又一章,兩人共度的光景片段就像細小的寶石般,晶瑩閃耀。――西川美和(電影導演)

  透過親戚、朋友和認識的人的記憶,把過去無從開口的感想一一確認,陸續寫出。以服喪般的心情寫下的《現在,依然想念妳》,是再現共同度過漫長時間、無可取代女子身影的動人述寫。――佐久間文子(新聞工作者)
 
 

作者介紹

作者簡介
 
川本三郎(Saburo Kawamoto)
 
  一九四四年生於東京,畢業於東京大學法學部。曾任《週刊朝日》、《朝日雜誌》記者,之後離開報社轉為自由文字工作者。持續筆耕四十餘年,作品以文藝評論、電影評論、翻譯及隨筆為主,創作質量兼備,甚至跨足鐵道、旅遊等各項領域。並早在八○年代便以敏銳的感受力與獨到眼光,引介剛出道的村上春樹。特別喜歡楚門‧卡波提,翻譯其作品無數。
 
  長年鑽研永井荷風與林芙美子作品,曾拿下五座文學評論獎。以《大正幻影》榮獲三得利學藝獎、《荷風與東京》獲讀賣文學獎、《林芙美子的昭和》榮獲桑原武夫學藝獎和每日出版文化獎、《白秋望景》獲伊藤整文學獎。其他著作尚有:《我愛過的那個時代》、《遇見老東京》、《少了你的餐桌》、《然後,明天繼續下去》、《川本三郎的日本小鎮紀行》等。
 
譯者簡介
 
賴明珠
 
  一九四七年生於台灣苗栗,中興大學農經系畢業,日本千葉大學深造。回國從事廣告企畫撰文,喜歡文學、藝術、電影欣賞及旅行,並翻譯日文作品,包括村上春樹與谷崎潤一郎的多本著作。
 
 

目錄

孤家寡人,卻多兩隻街貓

內人川本惠子於二○○八年,五十七歲辭世
日常生活中的時尚與小嗜好
住三鷹的新婚時期
兩好球,無壞球,保持微笑就不會輸
喜歡下廚

「一生最棒的旅行」是哪一次,內人回答和我一起去的台灣
俄國之旅•台灣之旅
家計之事•自由工作者之妻
時尚評論•繡球花

日常小對話,今時多懷念

「一個人吃飯難以下嚥,和內人共享的晚餐開心愉快」(伊藤茂次)
醫師「無情的宣判」
內人的著作《名為魅惑的衣裳》
「要是對她再體貼一點就好了」

安靜的喪禮

述說幸福的回憶,不是最開心的事嗎?
居家照護
善福寺川綠地散步
在稱為公園墓地的靈園想念亡妻,獨自吃便當

後記

附錄
「離別」的沉重代價  西川美和(電影導演)
解說  佐久間文子(新聞工作者)

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The State Tretyakov Gallery (RussianГосударственная Третьяковская ГалереяGosudarstvennaya Tretyâkovskaya Galereya; abbreviated ГТГ, GTG) is an art gallery in MoscowRussia, the foremost depository of Russian fine art in the world.

The gallery's history starts in 1856 when the Moscow merchant Pavel Mikhailovich Tretyakov acquired works by Russian artists of his day with the aim of creating a collection, which might later grow into a museum of national art. In 1892, Tretyakov presented his already famous collection of approximately 2,000 works (1,362 paintings, 526 drawings, and 9 sculptures) to the Russian nation.[1][2] The museum attracted 894,374 (visitors in 2020 (down 68 percent from 2019), due to the COVID-19 pandemic. It was 13th on the list of most-visited art museums in the world in 2020.[3]

The façade of the gallery building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin. During the 20th century, the gallery expanded to several neighboring buildings, including the 17th-century church of St. Nicholas in Tolmachi.

The collection contains more than 130,000 exhibits, ranging from Theotokos of Vladimir and Andrei Rublev's Trinity to the monumental Composition VII by Wassily Kandinsky and the Black Square by Kazimir Malevich.

In 1977 the Gallery kept a significant part of the George Costakis collection.

In May 2012, the Tretyakov Art Gallery played host to the prestigious FIDE World Chess Championship between Viswanathan Anand and Boris Gelfand as the organizers felt the event would promote both chess and art at the same time.[4]

History[edit]

Pavel Tretyakov started collecting art in the middle of 1850. The founding year of the Tretyakov Gallery is considered to be 1856, when Tretyakov purchased two paintings of Russian artists: Temptation by N. G. Schilder and Skirmish with Finnish Smugglers by V. G. Kudyakov, although earlier, in 1854–1855, he had bought 11 drawings and nine pictures by Dutch Old Masters. In 1867 the Moscow City Gallery of Pavel and Sergei Tretyakov was opened. The gallery's collection consisted of 1,276 paintings, 471 sculptures and 10 drawings by Russian artists, as well as 84 paintings by foreign masters.

In August 1892 Tretyakov presented his art gallery to the city of Moscow as a gift.[5] In the collection at this time, there were 1,287 paintings and 518 graphic works of the Russian school, 75 paintings and eight drawings of European schools, 15 sculptures and a collection of icons. The official opening of the museum called the Moscow City Gallery of Pavel and Sergei Tretyakov took place on 15 August 1893.

The gallery was located in a mansion that the Tretyakov family had purchased in 1851. As the Tretyakov collection of art grew, the residential part of the mansion filled with art and it became necessary to make additions to the mansion in order to store and display the works of art. Additions were made in 1873, 1882, 1885, 1892 and 1902–1904, when there was the famous façade, designed in 1900–1903 by architect V. Bashkirov from the drawings of the artist Viktor Vasnetsov. Construction of the façade was managed by the architect A. M. Kalmykov.

In early 1913, the Moscow City Duma elected Igor Grabar as a trustee of the Tretyakov Gallery.

On 3 June 1918 the Tretyakov Gallery was declared owned by the Russian Federated Soviet Republic and was named the State Tretyakov Gallery. Igor Grabar was again appointed director of the museum. With Grabar's active participation in the same year, the State Museum Fund was created, which up until 1927 remained one of the most important sources of replenishment of the gallery's collection.

In 1926 architect and academician A. V. Shchusev became the director of the gallery. In the following year the gallery acquired the neighboring house on Maly Tolmachevsky Lane (the house was the former home of the merchant Sokolikov). After restructuring in 1928, it housed the gallery's administration, academic departments, library, manuscripts department, and funds and graphics staffs. In 1985–1994, an administrative building was built from the design of architect A. L. Bernstein with two floors and height equal to that of the exposition halls.

In 1928 serious renovations were made to the gallery to provide heating and ventilation. In 1929 electricity was installed.

In 1929 the church of St. Nicholas in Tolmachi was closed, and in 1932 the building was given to the gallery and became a storage facility for paintings and sculptures. Later, the church was connected to the exposition halls and a top floor was built which was specially designed for exhibiting a painting by A. A. Ivanov,The Appearance of Christ to the People (1837–1857). A transition space was built between rooms located on either side of the main staircase. This ensured the continuity of the view of exposure. The gallery began to develop a new concept of accommodating exhibits.

In 1936, a new two floor building was constructed which is located on the north side of the main building – it is known as the Schusevsky building. These halls were first used for exhibitions, and since 1940 have been included in the main route of exposure.

From the first days of the Great War, the gallery's personnel began dismantling the exhibition, as well as those of other museums in Moscow, in preparation for evacuating during wartime. Paintings were rolled on wooden shafts, covered with tissue paper, placed in boxes, and sheathed with waterproof material. In the middle of the summer of 1941 a train of 17 wagons traveled from Moscow and brought the collection to Novosibirsk. The gallery was not reopened in Moscow until 17 May 1945, upon the conclusion of the Great War.

In 1956, in honor of the 100th anniversary of the Tretyakov Gallery, the Alexander Ivanov Hall was completed.

From 1980 to 1992, the director of the Tretyakov Gallery was Y. K. Korolev. Because of the increased number of visitors, Korolev was actively engaged in expanding the area of exposition. In 1983, construction work began to expand the gallery. In 1985 the Depository, a repository of works of art and restoration workshops, was commissioned. In 1986 renovations began on the main building of the Tretyakov Gallery. The architects I. M. Vinogradsky, G. V. Astafev, B. A. Klimov and others were retained to perform this project. In 1989, on the south side of the main building, a new building was designed and constructed to house a conference hall, a computer and information center, children's studio and exhibition halls. The building was named the "Corps of Engineers", because it housed engineering systems and services.

From 1986 to 1995, the Tretyakov Gallery in Lavrushinsky Lane was closed to visitors to accommodate a major renovation project to the building. At the time, the only museum in the exhibition area of this decade was the building on the Crimean Val, 10, which in 1985 was merged with the Tretyakov Gallery.

Gallery of modern art[edit]

New Tretyakov Gallery on Krymsky Val
File:Opening of Days of Armenian Culture in Russia.webm
Vladimir Putin and Serzh Sargsyan opening the Days of Armenian Culture in Russia at the Tretyakov Gallery.

In 1985, the Tretyakov Gallery was administratively merged with a gallery of contemporary art, housed in the Central House of the Artists a large modernist building along the Garden Ring, immediately south of the Krymsky Bridge. The grounds of this branch of the museum contain a collection of Socialist Realism sculpture, including such highlights as Yevgeny Vuchetich's iconic statue Iron Felix (which was removed from Lubyanka Square in 1991), the Swords Into Plowshares sculpture representing a nude worker forging a plough out of a sword, and the Young Russia monument. Nearby is Zurab Tsereteli's 86-metre-tall statue of Peter the Great, one of the tallest outdoor statues in the world.

Near the gallery of modern art there is a sculpture garden called "the graveyard of fallen monuments" that displays statues of former Soviet Union that were relocated.

There are plans to demolish the gallery constructed in the late Soviet modernism style, though public opinion is strongly against this.[6][7]







基百科,自由的百科全書

跳至導覽跳至搜尋
特列季亞科夫畫廊
Государственная Третьяковская Галерея
The State Tretyakov Gallery.jpg
成立日期1856年
地址俄羅斯莫斯科
參觀人數1,360,000(2013年)[1]
網站www.tretyakovgallery.ru

特列季亞科夫畫廊是目前世界上收藏俄羅斯繪畫作品最多的藝術博物館,位於莫斯科

畫廊由商人、藝術品收藏家帕維爾·米哈伊洛維奇·特列季亞科夫(1832年-1898年)於1856年創辦,特列季亞科夫是19世紀俄羅斯著名的藝術品收藏家和畫家們的贊助和保護人,1892年特列季亞科夫將他所有收藏品捐獻給國家,這個畫廊成為國家博物館。1902年由畫家維克托·瓦斯涅佐夫設計,依照俄羅斯童話形式在克里姆林宮南面建成新館,20世紀擴大,將周圍建築包括進去,包括了17世紀的建築聖尼古拉教堂。以後又在克里姆斯基大道建設分館,以收藏當代繪畫。

特列季亞科夫畫廊藏品目前有13萬件,作品從11世紀到20世紀,包括4萬餘件17、18世紀俄羅斯聖像畫,18、19世紀俄羅斯著名畫家的作品以及蘇聯時期的許多畫家的作品。

列賓畫的特列季亞科夫像(1883)

參考資料

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