三代畫家，最有名的，還屬第一代： Pieter Bruegel the Elder c. 1525–1530~1569, Jan Brueghel the Elder 1568~1625, Jan Brueghel 1601~78

三代畫家，最有名： Pieter Bruegel the Elder c. 1525–1530~1569, Jan Brueghel the Elder 1568~1625,  Jan Brueghel 1601~78

 Jan Brueghel (also Bruegel or Breughel) the Younger (/ˈbrɔɪɡəl/,^[1][2] also US: /ˈbruːɡəl/;^[3][4] Dutch: [ˈjɑn ˈbrøːɣəl] (listen); 13 September 1601 – 1 September 1678) was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Southern Netherlands.

https://en.wikipedia.org/wiki/Jan_Brueghel_the_Younger

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Jan Brueghel (also Bruegel or Breughel) the Elder (/ˈbrɔɪɡəl/,^[1][2] also US: /ˈbruːɡəl/;^[3][4] Dutch: [ˈjɑn ˈbrøːɣəl] (listen); 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.

https://en.wikipedia.org/wiki/Jan_Brueghel_the_Elder

Scenes of hell and demons[edit]

Aeneas and the Sibyl in the Underworld

Jan was early on nicknamed 'Hell Brueghel' but by the 19th century that name had become erroneously associated with his brother Pieter the Younger. Jan Brueghel was given the nickname because of his scenes with demons and hell scenes. An example is the Temptation of St. Anthony (Kunsthistorisches Museum, Vienna), which reprises a subject first explored by Hieronymus Bosch. In this demon-plagued scene the monsters are seen attacking the small saint in the corner of a large and dense forest landscape, rather than within the expanded panoramas of Patinir.^[41]

Jan Brueghel is believed to have produced his hell scenes for a newer, elite audience of learned and sophisticated collectors. To appeal to this erudite clientele he often populated the hell scenes with mythological rather than religious subjects, in particular the Vergilian scene of Aeneas in Hades, escorted by the Cumaean Sibyl. An example is Aeneas and the Sibyl in the Underworld (1619, Kunsthistorisches Museum, Vienna). Other mythological themes appearing in his hell scenes included the image of Juno visiting Hades and Orpheus in the Underworld from Ovid's Metamorphoses. An example of the latter is Orpheus in the Underworld (Palazzo Pitti). In these compositions brightly colored monsters provide the 'recreational terror' of the later manifestations of Boschian design.^[42]

Brueghel's hell scenes were influential and Jacob van Swanenburg, one of Rembrandt's teachers, was inspired by them to create his own hell scenes.^[43]

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The Wedding Dance (The Dance Village), 1566 Museum of the Detroit Institute of Arts, Michigan

https://en.wikipedia.org/wiki/Pieter_Bruegel_the_Elder

Pieter Bruegel the Elder
The Painter and The Connoisseur, c. 1565, possibly Bruegel's self-portrait[1]
Born	Pieter Bruegel c. 1525–1530 Breda or Breugel (modern-day Netherlands)
Died	9 September 1569 (aged 39 to 44) Brussels, Duchy of Brabant, Habsburg Netherlands (modern-day Belgium)
Known for	Painting, printmaking
Notable work	The Hunters in the Snow, The Peasant Wedding, The Tower of Babel
Movement	Dutch and Flemish Renaissance