2019年11月2日 星期六

Le Corbusier's Hand By André Wogenscky (1916−2004)









Le Corbusier's Hands


By André Wogenscky

Translated by Martina Millà Bernad
Le Corbusier's assistant and fellow architect remembers his mentor in a series of concise and poetic reflections.


Review
A singular complement to Le Corbusier's work, this book is also an inspiring depiction of an artist.

Publishers Weekly


Summary



Le Corbusier's assistant and fellow architect remembers his mentor in a series of concise and poetic reflections.
Le Corbusier's Hands offers a poetic and personal portrait of Le Corbusier—a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes—50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands—touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him.... They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions—which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site—"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With Le Corbusier's Hands, Wogenscky gives us a unique record of an enigmatic genius.

Le Corbusier by Heidi Weber
"I have spent years trying to understand what went on in his mind and in his hand."
The French architect André Wogenscky (1916−2004) worked at Le Corbusier's legendary Rue de Sèvres studio for 20 years (1936−56). He supervised the design and construction of such epoch-making buildings as the various Unités d'Habitation (Marseilles, Nantes, Berlin, Briey-en-Fôret, and Firminy). After leaving Le Corbusier, with whom he collaborated and maintained a friendship until the master's death in 1965, Wogenscky established an independent practice.
As the director of the Fondation Le Corbusier (1971−82), he also contributed to the preservation of Le Corbusier's legacy.
With Le Corbusier's Hands, Wogenscky gives us a unique record of an enigmatic genius."
Le Corbusier's Hand
English Version by The MIT Press
Cambridge, Massachusetts
London, England
2006 Massachusetts Institut of Technology

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