公視3台
就是節目表
https://節目表.tw › channel › 2023/03
[公視藝文特區]林布蘭的波浪人生(3)(普). 21:00. [異動]公視越南語新聞(53)(普). 21:05. [異動]公視晚間新聞(81)(普). 22:03. [異動]公視 ...
本片深入講述傳奇荷蘭畫家林布蘭的生平與代表性作品，當時他是荷蘭身價最高的畫家，卻逐漸陷入債務陷阱，晚年貧困潦倒而終。節目中透過學者、策展人、藝術家和收藏家、傳記作家等人，從各種角度剖析了許多值得深度觀賞的林布蘭代表性作品，並透過第一人稱敘事，使節目更具有戲劇性。
節目從林布蘭抵達阿姆斯特丹開始，描述這名野心勃勃的青年如何運用天份，積極晉身當地精英階層心目中的理想畫家。他積極學習各種風格，努力按時完成委託，贏得了極高聲譽，享受著富裕的物質生活與幸福婚姻。
林布蘭畫出他最具標誌性的作品《夜巡》之後名聲大噪，但此時心愛的妻子已重病不起。家庭生活的打擊與對藝術追求的進一步野心，使得他陷入長達十年的低潮期，且社會環境變化導致委託減少，也使得他的作品數量驟降。這位向來出手闊綽，買收藏品不手軟的畫家，逐漸陷入了債務泥淖。與年幼兒子的保姆發生婚外關係，更使他名譽受損。急於賺錢的林布蘭，接受了連他的學生都不願意接的委託，最終還是被債權人拿走了他的房子、銅版畫和幾乎所有的財產。
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2023-03-22星期三
01:00~ 02:00林布蘭的波浪人生(2)(普)
23:30~ 01:00[公視人生劇展]關老爺(普)
01:00~ 02:00
林布蘭的波浪人生(3)(普)
讀者宜注意此巨作之尺寸。
Rembrandt - Simon Schama's Power of Art
BBC
https://www.bbc.co.uk › arts › powerofart › rembrandt
Biography. Full Name: Rembrandt Harmenszoon van Rijn. Born: 1606. Died: 1669 ... Ecce Homo: Christ Presented to the People, National Gallery of Scotland, ...
Rembrandt van Rijn (Dutch, 1606-1669)
Self-portrait (c. 1637)
Red chalk drawing, 12.9 x 11.9 cm.
National Gallery, Washington DC (Rosenwald Collection)
The ninth child of well-to-do millers, Rembrandt Harmensz. van Rijn was born in Leiden on July 15, 1606. In 1620, after two years at Leiden University, Rembrandt became the pupil of Jacob van Swanenburgh. He subsequently moved to Amsterdam to apprentice with the leading history painter in the Netherlands, Pieter Lastman, absorbing his colorful palette and eloquent narrative approach. After six months, Rembrandt returned to Leiden and established his own studio. During the late 1620s, he enjoyed a friendly rivalry with the painter Jan Lievens, with whom he shared an ambition to become a leading painter of history subjects, and perhaps also a studio. Gerrit Dou was among his early students.
Moving permanently to Amsterdam in late 1631, Rembrandt established his studio in the art dealer Hendrick van Uylenburgh's premises. Their joint business venture capitalized on the growing market for portraits and history paintings by Dutch artists. Rembrandt immediately became the most prominent painter of portraits, introducing greater subtlety, presence and animation to the genre, as well as innovative group portraits. Many students came to the van Uylenburgh "academy" to be trained in Rembrandt's manner of painting, including Jacob Backer, Govaert Flinck and Ferdinand Bol. In 1634 Rembrandt married van Uylenburgh's niece, Saskia van Uylenburgh.
Rembrandt's success in the 1630s was reflected in his purchase of a grand house on the Sint-Antonisbreestraat in 1639, which also served as his studio for work and the training of students. Rembrandt successfully controlled the availability of his own etched and engraved works, actively working to create market demand for them. In 1642, Saskia, in ill health following the birth and death of three children, died, leaving Rembrandt with their sole issue, a son called Titus. By the late 1640s, declining portrait commissions and disastrous speculative investments created financial strain on the artist. Following the bitter end to his relationship with Titus's nurse, Geertje Dircks, Hendrickje Stoffels entered Rembrandt's household in 1647 and became his lifelong companion.
Returning to powerful religious subjects in his later years, Rembrandt created works of great psychological complexity and monumentality. It was also a period fraught with personal difficulties, including insolvency and the sale of his house and collections in a series of auctions in 1657 and 1658. Rembrandt took up residence in a far smaller house on the Rozengracht in the Jordaan area of Amsterdam, an area that was home to many artists. In order to protect his earnings, Rembrandt became the employee of a company run by Hendrickje and Titus instituted to sell his drawings, prints and paintings.
Rembrandt remained famous, although his vigorous, broad brushwork and glowing palette was at variance with the prevailing taste in the Netherlands for a smooth, elegant, courtly manner of painting. He continued to receive commissions for history subjects, private portraits, and important public works from local patrons and art dealers, as well as from collectors abroad. Due in part to the protection provided by Hendrickje and Titus's business, little is known about Rembrandt's studio in his late years. One student, Aert de Gelder, is recorded working with him in 1661 and there may well have been others. Among Rembrandt's very last works were self-portraits, painted with vigor and expressiveness, in which the artist alertly fixes his gaze on the viewer. Rembrandt died on October 4, 1669, and was buried in Amsterdam's Westerkerk next to Titus and Hendrickje.
(Bio from the Getty website)
Oranje Express 荷事生非
[荷式人文＆藝術]
看荷蘭鎮國藝術之寶如何走入人們的生活
作者：Cindy Liao
如果說台北故宮有「翠玉白菜」作為鎮國藝術之寶，那阿姆斯特丹國立博物館Rijksmuseum就是由《夜巡》（英文The Night Watch、荷文De Nachtwacht）鎮殿。雖然「翠玉白菜」名聲響叮噹無人不知無人不曉，但除了小時候在某次校外教學曾快速瞥見外，也沒什麼其他深刻的印象，只是當時老師口中念的必看物件、博物館裡獨樹一格的無價之寶，瞧過一眼後，從此再與我的人生毫無瓜葛。
但《夜巡》似乎有著不太一樣的發展故事，荷蘭人不只把它視為博物館裡的鎮國藝術之寶，更讓它直接走上街頭、進入校園，並間接地滲透家庭、飄進耳中，與人們的一般生活搭上了不少關係。很難想像他們是如何做到的嗎？讓荷事生非稍稍地替你解惑吧！http://www.oranjeexpress.com/?p=5534
圖：《夜巡》。（來源：Rijks Studio）
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