Rene Magritte's 'L'empire des lumières' sold for over $121 million at an auction, bringing the Belgian painter into a prestigious group of artists whose works have sold for nine-figure sums
Magritte By Suzi Gablik 1985：《瑪格利特》湖南美術翻譯 1990；台北：遠流，1999. The Blank Signature,” 1965,
Magritte By Suzi Gablik
《瑪格利特》項幼榕譯，台北：遠流，1999
翻譯評論：Appendix V. The life and acts of René Magritte of Yore
"往昔瑪格利特的生活與行為" (p.243)
Acts 在此的用法如： (新約聖書の)使徒行伝(Acts of the Apostles).
此書湖南美術也有翻譯《瑪格利特》 1990。問題更多多，許多內容刪節.....
舉個段落 42頁一段，湖南美術本第28頁：
jazz- bandettes
bandettes 被省略，
Bandette is a teenage girl superthief of art and antiquities, whose adventures are set in a lightly fantasticated Paris influenced by Tintin and the more romantic and playful end of French New Wave cinema.
輕音樂 YouTube
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https://www.youtube.com/watch?v=VZLfIKYg0Pg
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'Pataphysics (French: 'pataphysique) is a "philosophy" of science invented by French writer Alfred Jarry (1873–1907) intended to be a parody of science.
1.
(in jazz and popular music) a short, simple introductory passage, usually repeated several times until otherwise instructed.
"the title track has an overlong vamp"
2.
the upper front part of a boot or shoe.
"heavy lace-ups with basket weave in the vamp"
verb
3rd person present: vamps
1.
INFORMAL
repair or improve something.
"the production values have been vamped up"
bring something up to code
give something a facelift
2.
repeat a short, simple passage of music.
"the band was vamping gently behind his busy lead guitar"
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Valentino was a sex symbol of the 1920s, known in Hollywood as the "Latin Lover" (a title invented for him by Hollywood moguls), the "Great Lover", or simply Valentino. His early death at the age of 31 caused mass hysteria among his fans, further cementing his place in early cinematic history as a cultural film icon.
Rudolph Valentino - Wikipedia
Wikipedia
https://en.wikipedia.org › wiki › Rudolph_Valentino---
Fantômas - Wikipedia
Wikipedia
https://en.wikipedia.org › wiki › FantômasFantômas: A criminal genius, known by many nicknames, such as "the "master of everything and everyone", the "torturer" or the "elusive", and whose face and true ...
First appearance: Fantômas (1911)
Created by:
Marcel Allain;
Pierre Souvestre
Last appearance: Fantômas Mène le Bal (1963)
Children: Vladimir (last name unknown)
Fantômas (1964 film) ·
Fantômas (1913 serial) ·
Fantômas (band)In this painting, René Magritte does what he does best: he takes our familiar world, breaks it into pieces, and then reassembles it...
As one of the leading figures of the surrealist movement in 1920s Paris, Magritte’s approach mirrors one of the group’s fundamental principles. The surrealist manifesto, a multi-page written declaration drawn up by André Breton in 1924, states their aim was to “liberate the mind by subverting rational thought and giving free reign to the
unconscious.”
That’s why the figure and horse in this painting are somewhat familiar to us: Magritte ingeniously distorts what would be an ordinary scene by creating an optical illusion. He tricks your eye by combining separate elements into one complete image, transforming a horseback rider into a dreamlike vision.
In doing this, Magritte not only takes us out of our world, but exposes how absurd our everyday world can be.
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René Magritte, “The Blank Signature,” 1965, oil on canvas, 32 x 25 in., Collection of Mr. and Mrs. Paul Mellon
台北書緣 (60)：續讀五十年前的書 Sarane Alexandrian《超現實主義的藝術 第8章 想像力的盛宴 《Minotaure》等》李長俊 1971；Sarane Alexandrian《 西洋情色文學史》賴守正 2003
https://www.facebook.com/hanching.chung/videos/442578947415229
From 1947, he served as the last secretary of André Breton and became an essential figure of the surrealist current.
Alexandrian was an advocate of the philosophy Nietzsche advanced in The Gay Science (Die fröhliche Wissenschaft). He headed the journal Supérieur Inconnu (a title provided by Breton), which exalts four values shared by the surrealists and Alexandrian: dreams, love, knowledge, and revolution. Catherine Millet is one notable contributor to the magazine.
Alexandrian was a friend of Victor Brauner, and remained an admirer of Charles Fourier, and an ardent defender of Mata Hari.
Alexandrian has more than 40 books to his credit. His best known works are:
- André Breton par lui-même, 1971 (André Breton in His Own Words);
- Hans Bellmer, 1971;
- Les Libérateurs de l'amour, 1977 (The Liberators of Love);
- Surrealist Art, 1985 (Thames & Hudson World of Art);
- Max Ernst, 1986;
- Histoire de la littérature érotique, 1989 (The History of Erotic Literature);
- LJUBA, Paris, Cercle d'Art, 2003.
Sarane Alexandrian《超現實主義的藝術 第8章 想像力的盛宴》
多く使われている語句
多く使われている語句
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Sarane Alexandrian (15 June 1927, Baghdad – 11 September 2009, Ivry-sur-Seine) was a French philosopher, essayist, and art critic.
- Histoire de la littérature érotique, 1989 (The History of Erotic Literature);
在D. H. Lawrence 部分，把法國的 Vence翻譯成"威尼斯".....
西洋情色文學史
出版日期 ／ 2003
情色文學在不同時期亦有不同的境遇，而西方情色文學也因過往政權、學者有意無意地打壓與漠視，而無法成為「正當合法的知識」。作者的《西洋情色文學史》於 1989年首度在法國出版，是西方學界第一部、也是目前唯一一部有系統介紹西方從古至今情色文學演變與發展的專書。對於想一窺西方情色文學堂奧的讀者而 言，本書可說是最理想、可讀性最高的入門書。
Minotaure, published in Paris between 1933–39, was a Surrealist-oriented publication founded by Albert Skira with editors André Breton and Pierre Mabille. Prior to serving as a Minotaure editor, Breton lent his support by publishing the full-page advertisement reproduced to the right, which announced the first issue of the new publication in the final issue of Le Surréalisme au service de la revolution.
Minotaure, although not exclusively Surrealist in orientation, was faithful to the Surrealist spirit. The periodical’s appeal for the mainstream art public gained wider recognition for the movement, especially with its feature articles on architecture, not commonly found in other Surrealist publications. The goal of Minotaure was to introduce Surrealism to a new generation of theorists and artists, but with the onset of World War II in Europe, Skira ceased publication in 1939.
Each number of Minotaure included contributions from artists, writers, philosophers, critics, and psychoanalysts, and was meant to be read as a collective work. Contributors included Paul Éluard, Salvador Dalí, Jacques Lacan, Georges Bataille, and Kurt Veil. Covers included artwork by Pablo Picasso, Marcel Duchamp, Gaston-Louis Roux, André Derain, Francisco Borés, Joan Miró, Dalí, Henri Matisse, René Magritte, Max Ernst, André Masson, and Diego Rivera.
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