裘振宇 雷伊漢勒建築師

「過去4年，是雷伊漢勒，教我怎麼做一個建築師。」

－#裘振宇

土耳其的雷伊漢勒位於敘利亞邊界，收容近12萬名敘利亞難民。因為飽受戰火波及、資源貧乏，從2011年以來，雷伊漢勒的難民與土耳其人之間的族群矛盾逐日深化。

建築，有可能帶來改變嗎？

任教於安卡拉畢爾肯特大學建築系的裘振宇，來自台灣，2020年他在雷伊漢勒的邊界上蓋了一個瘋狂的建築。這個擁有52個奇特拱形屋頂的設計，源自敘北阿勒坡大清真寺的拱型迴廊，未來將收容敘利亞難民，並成為當地藝文交流中心。裘振宇設計時，故意讓它沒門沒窗，沒有室內裝修，他說：「給你一個單元去蓋，自己蓋的房子，自己最愛。許多缺乏資源的使用者無法自力進行裝修，就會互助合作，無形中重建了這個社會群體」。

這個建築由台灣出資，雷伊漢勒市政府提供土地與部分資金，命名為「台灣－雷伊漢勒世界公民中心」。幾位台灣建築師也曾經走訪雷伊漢勒，提供想法。建築師謝英俊告訴裘振宇：「每一個人都該有蓋自己房子的權利，貢獻一己之力的同時，也在重建自己的社會和經濟地位。經歷了這樣的過程，就再沒有人會是難民了」。

建築師 #黃聲遠 也告訴裘振宇：「一棟建築物可能改變一座城市、改變每一位市民的心智與他們每一天的生活。所以建築師除了要贏得當地居民的信賴與支持，也要不斷與地方和中央政府協商，甚至與政客搏鬥，用時間換取空間和機會，才能做對的事。」這番話讓裘振宇決心為雷伊漢勒做志工，四年來他帶著學生冒著危險前進邊境將近40多次，不斷拜訪巿長和巿府官員、地方流氓、非政府組織，甚至和敘利亞自由軍搏感情，才順利執行這個建築計畫。

裘振宇將過去分隔土、敘邊界的圍牆材料，用在新的建築上，象徵過去無情分隔雙方的牆，未來將幫助兩個族群共存共榮。他希望有一天雷伊漢勒能成為與眾不同的邊城。

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照片提供｜裘振宇

#雷伊漢勒 #敘利亞 #土耳其

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Paul Sérusier ( 1864 –1927) w

【藝術風景｜保羅．塞律西埃的〈玫瑰飾帶〉】

　〈玫瑰飾帶〉中，描繪著穿著當地傳統服裝的婦女在蓊鬱林間製作花圈飾帶，整體扁平的空間猶見遠景中山丘起伏。這些遺世獨立於工業革命現代化或主流社會之外的原始性成為藝術家的創作養分，如塞律西埃結合許多地方元素與宗教文化的畫作，發展至19世紀末時有著更加精神性的轉向。（節選自《藝術家》544期，2020年9月號）

#保羅塞律西埃 #PaulSérusier……

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Paul Sérusier
Born	Paul Sérusier 9 November 1864 Paris, France
Died	7 October 1927 (aged 62) Morlaix
Nationality	French
Alma mater	Académie Julian
Known for	Painting
Movement	Post-Impressionism

Paul Sérusier, The Talisman (1888); oil on wood, 27 x 21.5 cm. Musée d'Orsay, Paris

Paul Sérusier (9 November 1864 – 7 October 1927) was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabis movement, Synthetism and Cloisonnism.^[1]

Contents

• 1Education
• 2Writings
• 3Gallery of Paintings
• 4References and sources
• 5External links

Education[edit]

Sérusier was born in Paris. He studied at the Académie Julian and was a monitor there in the mid-1880s.^[2] In the summer of 1888 he travelled to Pont-Aven and joined the small group of artists centered there around Paul Gauguin.^[3] While at the Pont-Aven artist's colony he painted a picture that became known as The Talisman, under the close supervision of Gauguin. The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction.^[4] He was a Post-Impressionist painter, a part of the group of painters called Les Nabis. Sérusier, along with Paul Gauguin, named the group. Pierre Bonnard, Édouard Vuillard and Maurice Denis became the best known of the group, but at the time they were somewhat peripheral to the core group.

In 1892 Sérusier met and befriended Charles Hodge Mackie while the Scottish artist and his wife were honeymooning in France. This friendship led to him contributing the illustration Pastorale Bretonne to The Evergreen: A Northern Seasonal: The Book of Spring published by Patrick Geddes and Colleagues in Edinburgh in 1895.^[5]

He later taught at the Académie Ranson and published his book ABC de la peinture in 1921. He died at Morlaix in Brittany.

Odilon Redon, Paul Serusier, 1903, lithograph. Rosenwald Collection, National Gallery of Art, Washington, 1958.8.197

Geneviève Laporte (1926 – 2012): Sunshine at midnight (1974)， Du petit Wolfgang au grand Mozart (2006).

吉納維芙·拉波特（Genevieve Laporte，1926年– 2012年3月30日）是法國慈善家，紀錄片導演，藝術家榜樣，詩人和十六本書的作者。 她以1950年代巴勃羅·畢加索（Pablo Picasso）的最後戀人之一而聞名。 2005年，她拍賣了畢加索送給她的20幅作品，其中許多是她的肖像。


內容
1生活
1.1畢加索
1.2工作與成就
2參考
3外部鏈接

Genevieve Laporte (1926 – 30 March 2012) was a French philanthropist, documentary filmmaker, artists' model, poet and author of sixteen books. She was best known for being one of Pablo Picasso's last lovers during the 1950s. In 2005 she auctioned off 20 of Picasso's works which had been given to her, many of them portraits of her.

Contents

• 1Life
  • 1.1Picasso
  • 1.2Work and achievements
• 2References
• 3External links

Laporte was born in Paris.

Picasso[edit]

Reportedly she met Picasso as a teenager during World War II, finding common ground in poetry. She was in her mid-twenties when the affair began in 1951, although Picasso was nearly 50 years older than she was and had recently fathered two children with Françoise Gilot. Some art historians and museums carrying Picasso's work have dubbed the paintings he made around that time the "Genevieve Period", as many of them feature symbolic tributes to his model and muse as well as dedications "To Genevieve". Picasso wanted Laporte to move in with him after Gilot left him in 1953, but she refused — which, she was told by Jean Cocteau, "saved her skin".^[1] In 1959 she married a fellow Parisian resistance fighter instead.

She was perhaps most famous for auctioning off 20 works, many with her as a subject, which were bestowed upon her during the secret love affair with Picasso in the 1950s. The auction occurred in June 2005. With the money earned from the auction she created a foundation "Genevieve Laporte de Pierrebourg, pour la defense de la nature et des animaux", with agreement of the Fondation de France.

Pablo Picasso, La chevelure (Geneviève Laporte) - 1951

Work and achievements[edit]

She made 18 documentary films in Africa, and the Académie française awarded her a prize in 1999 for a volume of poetry. Laporte wrote sixteen books, four of which are on Picasso:

• Si tard le soir le soleil brille (1973)
  • English translation: Sunshine at midnight (1974)
• Un amour secret de Picasso (1999)
• Du petit Pablo au grand Picasso (2003)
• Le grand Picasso (2004)

Her final book was Du petit Wolfgang au grand Mozart (2006).

References[edit]

1. ^ Picasso's mistress survives, with a smile

External links[edit]

• Laporte's personal web site
• Mention of Geneviève Laporte's death (in French)

Treasures of Ancient Greece (BBC)

1. 

   The Long Shadow

   3/3 Exploring the afterlife of Greek masterpieces that changed the course of western culture.

    
2. 

   The Classical Revolution

   2/3 Alastair unpicks the reasons behind the revolution that gave birth to classical Greek art.

    
3. 

   The Age of Heroes

   1/3 Alastair Sooke explores the surprising roots of Greek art, beginning his journey in Crete.
4. 
   

How 'good design' became commonplace in Japan

In Japan, good design is everywhere -- in streets and parks, in shops and offices and, most of all, in homes. Architect and writer Naomi Pollock decided to find why.

https://s.nikkei.com/3htOmtK

ASIA.NIKKEI.COM

How 'good design' became commonplace in Japan

Postwar transformation driven by consumer boom and technological inn