2016年12月17日 星期六

Barbara Hepworth: The Hepworth Wakefield





#ProjectOfTheDay: The Hepworth Wakefield

The Hepworth Wakefield is named after the late English artist Barbara Hepworth, who was born in Wakefield in 1903
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This beautiful marble sculpture by Barbara Hepworth, completed in 1960, is just one example of what Oxford's Ashmolean Museum has to offer.
The museum has everything from modern work like this to ancient Greek and Roman sculpture - a real treasure trove to complete our run-through of sculpture in Oxford.




‪#‎TateWeather‬ predicts the sun will be breaking through the clouds this weekend, much like Hepworth's 'Sun and Moon'! http://ow.ly/QkG6O

Barbara Hepworth wanted her sculptures to create the same feeling she had when she stood in the landscape. How do you feel looking at her works? http://ow.ly/PKOyq

Tate show sees Barbara Hepworth as international artist
By Tim MastersArts and entertainment correspondent

22 June 2015
From the sectionEntertainment & Arts
Contemplative Figure, a work from the Barbara Hepworth exhibition at Tate Britain

A new Barbara Hepworth exhibition seeks to offer a fresh perspective on one of Britain's best-known sculptors.

The show, which opens at Tate Britain on Wednesday, is her first major London retrospective for almost 50 years.

It brings together more than 100 works including her earliest carvings, major sculptures and previously-unseen photos from her studio.

"I think there's more interest in her now than there was 25 to 30 years ago," said Tate director Penelope Curtis.

Hepworth, whose artistic career spanned five decades, was born in Wakefield, Yorkshire, in 1903. Her love of landscape came from drives around West Riding with her father in the course of his work as county surveyor.Barbara Hepworth in St Ives at work on the wood carving Hollow Form with White Interior (1963)

She was inspired to become a sculptor after seeing a slideshow of Egyptian art at school. She studied at Leeds School of Art from 1920-1921 where she first met fellow Yorkshire-born artist Henry Moore.

In 1949 Hepworth bought Trewyn Studio in St Ives where she lived until her death in an accidental fire in 1975 at the age of 72.

One of her best known works is Single Form (1961-4) a 6.4 metre-high bronze which stands outside the United Nations building in New York.

Curtis, who co-curated the Tate show, said one of its key aims was to emphasise Hepworth's prominence on the international art scene.

"People in Britain tend to think of her as a rather British artist," she told the BBC.

"Henry Moore has never been seen as a sculptor from Hertfordshire even though he was there for 40 years, but Barbara Hepworth has always been connected to St Ives. That's true - but it's not the whole story, so we felt that one major corrective we could make was to think about her internationally."Left: Curved Form (Delphi) (1955) Right: Barbara Hepworth with the plaster of Single Form in London in May 1963

The exhibition opens with Hepworth's earliest surviving carvings, including Doves (1927), which appear alongside works by Moore and Hepworth's first husband John Skeaping.

It also features never-before-seen photo albums which offer an insight into her home and studio life with her second husband and fellow artist Ben Nicholson.

One corner of the exhibition tells the intriguing story of when, in 1947, Hepworth was one of six artists - including Henry Moore - invited by London County Council to submit designs for four monumental sculptures situated on Waterloo Bridge.

"Hepworth spent a great amount of time sitting on the bridge observing people as they went past," said Tate assistant curator Inga Fraser. "She was incredibly excited by the competition, which was plagued with difficulties from the very beginning."

Eventually, none of the submissions were accepted and the plinths remain empty to this day.Two bronze works - Trezion and Trevalgan - from the Pavilion reconstruction at the exhibition

In the post-war period, Hepworth's sculptures became a prominent feature on the international scene.

The latter part of the exhibition reunites four large works in African hardwood guarea (1954-5) which many see as the high point of Hepworth's carving career. Each is named after places Hepworth visited on a trip to Greece after the death of her son, Paul Skeaping, in an RAF plane crash over Thailand.

The last room displays bronzes from her 1965 retrospective at the Kroller-Muller Museum in the Netherlands, with a partial reconstruction of the pavilion where they were shown.

At Monday's press launch, Curtis revealed that there had been a search across Europe to source the "right kind of brick" for the reconstructed pavilion.

However, the bricks were eventually obtained from a builders' merchant in Vauxhall - just a short hop across the Thames from Tate Britain.

Barbara Hepworth: Sculpture for a Modern World is at Tate Britain 24 June - 25 October 2015 (admission charge)- it tours to the Kroller-Muller Museum, Otterlo, this autumn and to the Arp Museum, Rolandseck, in Germany next year.

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