2008年1月30日 星期三

"Dosso Dossi".

Wikipedia article "Dosso Dossi".
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(b ?Ferrara, c. 1490; d Ferrara, 1541-2). Although responsive to a wide range of outside influences, the most important of which were probably those of Giorgione in Venice and Raphael in Rome, he was an artist of great originality with a strong feeling for effects of light and colour. Landscape plays a prominent and highly expressive role in his work. He was employed, as were also the poets Matteomaria Boiardo (?1441-94) and Ludovico Ariosto, at the court of Ferrara, which was internationally renowned for its culture, especially its musical life and collections of art: one of his best-known works is an illustration of a magical scene from Ariosto's poetry, Melissa (1520s; Rome, Gal. Borghese), a painting of opulent colour and texture.

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc..





Dosso Dossi (dôs'sō dôs') , 1479?–1542, Italian painter of the Ferrarese school, whose real name was Giovanni di Niccolò de Luteri. He may have been a pupil of Lorenzo Costa, but was certainly influenced by Giorgione, Titian, and Raphael. He often collaborated with his brother Battista, a landscape painter. Dosso Dossi is first recorded in Mantua, but after 1514 he executed many decorative works for the ducal palace and churches of Ferrara, including frescoes, pictures, and cartoons for tapestries. Both his landscapes and portraits show originality and imagination. He was a friend of Ariosto, who mentions him in Orlando Furioso. His works include Circe in the Woods (Borghese Villa); The Three Ages of Man (Metropolitan Mus.); The Standard Bearer, Scene from a Legend, and Saint Lucretia (National Gall. of Art, Washington, D.C.).

Bibliography

See F. Gibbons, Dosso and Battista Dossi (1968).

Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press.





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