2014年12月14日 星期日

The Presentation of the Blessed Virgin Mary. Cima da Conegliano

Presentation of Mary ：獻聖母于聖殿（主堂）；聖母奉獻日紀念：根據偽經 Apocrypha 記載，瑪利亞幼年時，其父母將她獻於聖殿；教會早在第六世紀就慶祝此節日。曾一度被取消，十六世紀又恢復，在十一月廿一日慶祝。
Presentation of the Lord ：聖母獻耶穌于聖殿（主堂）：慶日在二月二日。
The Presentation of the Blessed Virgin Mary (as it is known in the West), or The Entry of the Most Holy Theotokos into the Temple (its name in the East), is a liturgical feast celebrated by the Roman Catholic and Orthodox Churches.

Miniature from Les Très Riches Heures du duc de Berry.
The feast is associated with an event recounted not in the New Testament, but in the apocryphal Infancy Narrative of James. According to that text, Mary's parents, Joachim and Anne, who had been childless, received a heavenly message that they would bear a child. In thanksgiving for the gift of their daughter, they brought her, when still a child, to the Temple in Jerusalem to consecrate her to God. Mary remained in the Temple until puberty, at which point she was assigned to Joseph as guardian. Later versions of the story (such as the Gospel of Pseudo-Matthew and the Gospel of the Nativity of Mary) tell us that Mary was taken to the Temple at around the age of three in fulfillment of a vow. Tradition held that she was to remain there to be educated in preparation for her role as Mother of God.
Contents

History


The Presentation of the Virgin Mary by Titian (1534-38, Gallerie dell'Accademia, Venice).
The feast originated as a result of the dedication of the Basilica of Saint Mary the New, built in the year 543 by the Byzantines under Emperor Justinian I near the site of the ruined Temple in Jerusalem. Although this basilica was destroyed by the Sassanid Persians under Khosrau II after the Siege of Jerusalem (614), the feast continued to be celebrated throughout the East. The feast was celebrated in the monasteries of Southern Italy by the ninth century and was later introduced into the Papal Chapel in Avignon in the year 1372 by a decree of Pope Gregory XI.[1] It was included in the Roman Missal in 1472. But, as the fact of the "Presentation of the Blessed Virgin Mary" is only a pious belief, but not a defined matter of faith, it was suppressed by Pope Pius V in 1568.[2] As a result, it did not appear in the Tridentine Calendar. Pope Sixtus V reintroduced it into the Roman Calendar in 1585.[3] Pope Clement VIII made this feast a Greater Double in 1597.[4] The feast also continued as a memorial in the Roman Calendar of 1969.

Liturgical celebration


Entry of the Most Holy Theotokos into the Temple (Russian icon, 16th century).
The Eastern Orthodox Church celebrates it as one of its twelve Great Feasts on November 21 (for those churches which follow the Julian Calendar, November 21 falls on December 4 of the modern Gregorian Calendar). The first documented celebration of the feast in any calendar is the mention of the Εἴσοδος τῆς Παναγίας Θεοτόκου (Entry of the All-Holy Theotokos - i.e. into the Temple) in the 11th-century Menology of the Eastern Roman (also known as Byzantine) emperor Basil II. In the Orthodox Church the feast always falls during the Nativity Fast, and on the day of the feast the fasting rules are lessened somewhat so that fish, wine and oil may be eaten.
For the Roman Catholic Church, on the day of the Presentation of the Blessed Virgin Mary, "we celebrate that dedication of herself which Mary made to God from her very childhood under the inspiration of the Holy Spirit who filled her with grace at her Immaculate Conception."[5]
November 21 is also a "Pro Orantibus" Day, a day of prayer for cloistered religious "totally dedicated to God in prayer, silence and concealment."[6]

The Presentation in art

Western depictions usually focused on the lone figure of the young Mary climbing the steep steps of the Temple, having left her parents at the bottom, and climbing towards the Chief Priest and other Temple figures at the top of the steps. The Presentation was one of the usual scenes in larger cycles of the Life of the Virgin, although it was not usually one of the scenes shown in a Book of hours.


The Metropolitan Museum of Art, New York
Given the elevated position of Saint Anthony Abbot, flanked by Saints Roch (protector of victims of the plague) and Lucy (patron of the blind), this altarpiece may have been painted for the brothers of Saint Anthony, who ministered to plague victims.
Featured Artwork of the Day: Cima da Conegliano (Giovanni Battista Cima) (Italian, ca. 1459–1517/18) | Three Saints: Roch, Anthony Abbot, and Lucy | ca. 1513 http://met.org/1wlyW0o

  1. Giovanni Battista Cima, also called Cima da Conegliano was an Italian Renaissance painter. Wikipedia
  3. Born: 1459, Conegliano, Italy
  4. Died: 1517

Gallery

See also

References

  1. ^ "The Saint Andrew Missal, with Sundays and Feasts," by Dom Gaspar LeFebvre, O.S.B., Saint Paul, MN: The E. M. Lohmann Co., 1952, p. 1684; William E. Coleman, Ed. "Philippe de Mezieres' Campaign for the Feast of Mary's Presentation," Toronto: Pontifical Institute of Mediaeval Studies, 1981, pp. 3-4.
  2. ^ "The Saint Andrew Missal, with Sundays and Feasts," p. 1684
  3. ^ "Calendarium Romanum" (Libreria Editrice Vaticana, 1969), pp. 108-109
  4. ^ "The Saint Andrew Missal, with Sundays and Feasts," p. 1684
  5. ^ "Liturgy of the Hours," November 21
  6. ^ Angelus Address of Pope Benedict XVI, November 19, 2006

External links

Wikimedia Commons has media related to: Presentation of Virgin Mary
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