The term outsider art was coined by art critic Roger Cardinal in 1972 as an English synonym for art brut (French: [aʁ bʁyt], "raw art" or "rough art"「生の芸術」), a label created by French artist Jean Dubuffet to describe artcreated outside the boundaries of official culture; Dubuffet focused particularly on art by those on the outside of the established art scene, using as examples psychiatric hospital patients and children.[1][2]
此翻譯可能過分講究而誤解。化，開化；而art brut 是追求不落窠臼、
化外之民。 出處, 《
Outsider art By Roger Cardinal 一文友漢譯： 化外的藝術 蔣振文譯，登 {境與象}1976年2月號，頁16~25，介紹4位：
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https://fr.wikipedia.org/wiki/Jean_Dubuffet
Dans la préface au livre L'Art brut de Michel Thévoz Jean Dubuffet précise que sa collection est constituée en grande partie d'artistes « hors-normes » mais, selon lui :
« Définir un caractère commun de ces productions — certains ont cherché à le faire — est dénué de sens car elles répondent à des positions d'esprit et à des clefs de transcription en nombre infini, chacune ayant son statut propre inventé par l'auteur, et leur seul caractère commun est le don d'emprunter d'autres voies que celles de l'art homologué96. »
In the preface to the book L'Art brut by Michel Thévoz, Jean Dubuffet states that his collection consists largely of "non-standard" artists, but according to him:
"To define a common character of these productions - some have tried to do so - is meaningless because they respond to infinite number of positions of mind and transcription keys, each having its own status invented by the author, and their only commonality is the gift of other ways than those of licensed art. "
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It wasn’t until the age of forty-one that French artist Jean Dubuffet, born on this day in 1901, focused his attention on art-making, becoming known as much for his rebellious attitude toward prevailing notions of high culture and good taste as his radical experimentation with form and material.
Dubuffet revolutionized lithography, experimenting with surface texture and employing non-traditional techniques, including imprinting vegetal elements, writing messages on newspapers, and cutting up and re-collaging his lithographs and paintings. Explore his work in #MoMACollection at mo.ma/dubuffet.…
[Artwork details: Jean Dubuffet. “Poster for the exhibition Écrits et Lithographies at Galerie La Pochade, Paris, February 29–March 1968.” 1968. Lithograph. Gift of Klaus G. Perls, in memory of Frank Perls, Art Dealer. © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris]
Jean Dubuffet
The New Yorker
The French painter and sculptor Jean Dubuffet collected works by people whose art was unlikely to see the inside of a museum. They were eccentric loners, mental patients, and prisoners.
Jean Dubuffet’s Primal Authenticity
His collection of art brut, now on show at the American Folk Art Museum, exalts unadulterated creativity.
NYER.CM|由 PETER SCHJELDAHL 上傳
Centre Pompidou
[Anniversaire] Il y a 114 ans naissait Jean Dubuffet. En 1952, il réalise la version métaphorique et picturale de ce "Voyageur sans boussole".https://www.centrepompidou.fr/id/ck4zkGG/rLMzR9/fr
Jean Dubuffet, Le Voyageur sans boussole,1952
© Georges Meguerditchian - Centre Pompidou, MNAM-CCI /Dist. RMN-GP © Adagp, Paris
Jean Dubuffet | A Widow | The Metropolitan Museum of Art
[René Drouin, Paris, in 1944]; Claude Hersent, Paris and Meudon, France (in 1954); his former wife, Hélène Hersent-Anavi, Paulhiac, France (by 1957–d. 1981; her estate, 1981–84; her estate sale, Sotheby's, London, March 27, 1984, no. 40, sold to Matisse); Pierre Matisse, New York (1984–d. 1989; stoc…
METMUSEUM.ORG
The Metropolitan Museum of Art, New York
Happy birthday to French painter and sculptor Jean Dubuffet, born this day in 1901. In “A Widow,” we see Dubuffet’s rejection of traditional portraiture, which he regarded as facile imitation. Instead of conveying a sitter's likeness or personality, he focused on certain odd features, which he then exaggerated.
Jean Dubuffet (French, 1901–1985) | A Widow | 1943
METMUSEUM.ORG
Jean Dubuffet. "Bird Perched on the Corner of the Wall (Angle de mur à l’oiseau perché)" from the supplementary suite for the book "Walls (Les Murs)" by Eugène Guillevic. 1945]
"Exemplary... makes us appreciate Dubuffet as a restless innovator and recycler." - The New York Times on the current exhibition "Jean Dubuffet: Soul of the Underground."
Jean Dubuffet at Museum of Modern Art
“Jean Dubuffet: Soul of the Underground,” at the Museum of Modern Art, presents works made with sand, dirt and gravel from this Art Brut founder.
NYTIMES.COM|由 KAREN ROSENBERG 上傳
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