"The Sunday morning [July 11, 1937] when I heard on the radio that George Gershwin had died, I was absolutely devastated.
I tried to get out of playing [at summer camp, where I was swimming and music counselor]. I came into the dining room where all the parents were sitting, flattering and chattering, and instead of playing “Tea for Two” …
I held up my hand, or played a chord, or something to get them quiet. Then I announced that Gershwin had died, that he had been an idol of mine, and that I was going to play his second Prelude as a memorial. They all put down their silverware and listened as I played this very slow, very sad music. As the last notes wafted away, I rose from the piano and left the hall in silence.
That was the first inkling I ever had of the power of music, of its possibilities for control. It was a great turning point for me. Perhaps the most theatrical thing in the world is a roomful of hushed people, and the more people there are who are silent, the more dramatic it is."
Leonard Bernstein
Interview with Thomas Willis, Chicago Tribune, 1976
Interview with Thomas Willis, Chicago Tribune, 1976
[Photo: George Jacob Gershwin on the cover of TIME Magazine, 1925]
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