この画像を表示著者をフォロー
Rachel Corbett
+ フォロー
You Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin ハードカバー – ラフカット, 2016/9/6
Rachel Corbett (著)
内容紹介
Rainer Maria Rilke’s Letters to a Young Poet is one of the most beloved books of the twentieth century. It has sold millions of copies and inspired generations with its galvanizing wisdom on how to lead an artistic life. In You Must Change Your Life, debut author Rachel Corbett tells the remarkable, long-buried story of where Rilke’s ideas originated.In 1902, Rilke, broke and suffering from writer’s block, accepted a commission to go to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rodin in his sixties, notoriously carnal, revered; Rilke in his twenties, delicate, unknown. Nonetheless, they fell into an instantaneous friendship and would work closely together as master and disciple for the next few years, as Rodin showed Rilke how to become the writer he wished to be.With verve and great insight, Corbett transports readers to turn-of-the-twentieth-century Paris to explore this surprising friendship and the development of their influential ideas about art and creativity. She captures the dawn of modernism with appearances by such charismatic figures as Paul Cézanne, Henri Matisse, Isadora Duncan, George Bernard Shaw, and Jean Cocteau, as well as the rise of the concept of “empathy” amid the pioneering work of Sigmund Freud, Carl Jung, and Georg Simmel. Corbett also introduces the women in these men’s lives, many of them esteemed writers and artists in their own right: Rodin’s muse Camille Claudel, Rilke’s wife and fellow artist Clara Westhoff, and the remarkable Lou Andreas-Salome, who was Nietzsche’s lover and Rilke’s lifelong friend.You Must Change Your Life is a vibrant portrait of Rilke and Rodin’s singular friendship, heartbreaking rift, and moving reconciliation, and it is a testament to the ways their work continues to reverberate to this day.
《紐約時報》專欄
〈只有偏執狂才能變得偉大嗎？〉
戴維·布魯克斯
最后更新于：2019-08-02
"Your life, with its immensity and fear,
...now bounded, now immeasurable,
it is alternately stone in you and star."
(from 'Evening', Rainer Maria Rilke,
translated by Stephen Mitchell)
The State Hermitage. The State Hermitage museum. Official page.
·
The Austrian poet Rainer Maria Rilke wrote about Rembrandt: "Is not that the great mystery of Rembrandt that he wrote of man as a landscape?" Through the means of light and shadow, through which he perceives the essence of the morning or the secret of the evening, he spoke of the life of those he wrote, and at the same time, it grew stronger and wider ... We know quite a bit of Rembrandt's landscapes, and yet he was a landscape painter, perhaps the greatest of all and one of the greatest artists in general.He could paint portraits because he looked deeply at faces, with distant horizon and high clouds th mobile skies ".
This thought of Rilke about visionary travel and country faces is also important because Rembrandt never left his native Holland. He also refused to travel to Rome, the "home of the arts," the center of European artistic life (in the 17th century, a visit to Italy was considered necessary for the completion of education). Here is what the French symbolist artist Odilon Redon wrote about this Rembrandt line:
"... I think that Rembrandt's great style, coming from his heart and his all-encompassing mind, is connected with the tranquility of his immobile life." He never left Amsterdam and advised his students not to go anywhere, even to Italy. to say that immobility creates genius, but it seems to me that his genius, his humane and human vision, would not have gained anything from a heap of impressions far from those models that he always had before his eyes.In diversity, the deep and single, which he He wounded in a secluded refuge of his dreams and thoughts ... ".
Find out what Van Gogh and Gauguin, Auguste Rodin and Henri Matisse wrote, and talked about Rembrandt, Ilya Repin and Vasily Kandinsky. In the article of the Virtual Academy "About Rembrandt" we have collected for you the most interesting statements! http://bit.ly/2Ne1aF0
〈只有偏執狂才能變得偉大嗎？〉
戴維·布魯克斯
最后更新于：2019-08-02
 
索倫·基爾克果(Soren Kierkegaard)要上帝賦予他得到一樣事物的力量。生活中充滿分心之物，他要求得到這種力量，讓他度過全心全意、只追求一個目標的一生。
我們都知道，天才和其餘的人實踐過這個故事的世俗版本。他們找到了自己的天賦和專長。他們像偏執狂一樣專注於其中。他們投入了實現真正的卓越所需的一萬個（甚至更多）小時。
我剛讀完《你必須要改變生活》(You Must Change Your Life)，它是蕾切爾·庫貝特(Rachel Corbett)為雕塑家奧古斯特·羅丹和他的門生、詩人萊納·瑪利亞·里爾克(Rilke) 所著的聯合傳記，他們無疑屬於這種類型。
老羅丹給年輕的里爾克上了一堂課。「Travailler, toujours travailler.」工作，一直工作。
這是藝術家的英雄式視野。他放棄了世俗和家庭的快樂，一心鑽研他的技藝。只有全身心地投入，你才能真正看得透徹並創造出藝術。
這是藝術家的英雄式視野。他放棄了世俗和家庭的快樂，一心鑽研他的技藝。只有全身心地投入，你才能真正看得透徹並創造出藝術。
在他的工作室裡，羅丹可能會瘋狂沉迷、察覺不到周圍的一切。「他遵循自己的準則，其他人的標準沒有能用來衡量他的，」庫貝特寫道。
「他把自己關在自己的宇宙裡，里爾克認定，這比生活在他人創造的世界裡更有價值。」
里爾克有著同樣孤獨的專注點。世紀之交的巴黎，周圍儘是波希米亞式的狂歡，里爾克卻獨自在房間裡寫作。他沒去飲酒或跳舞。他讚美愛，但卻是就廣義而言，而非作為你給予任何人或任何地方什麼東西。
兩人都創造出了世人所珍視的傑作。但在合上庫貝特的書時，讀者的感覺是，兩人都虛度了他們的生命。
他們對待自己妻兒的方式令人驚駭。羅丹的怪異、取索和孤僻已經到了可悲的地步。
里爾克在父親臨終前沒有回家，本人去世時也不讓妻子和孩子陪在身邊。兩人一生中大部分時間都沒有得到親密的關愛。
他們的人生引出了一個問題：你要如此痴迷專注才能變得偉大嗎？傳統上的男性化回答是肯定的。但很可能，正確的答案是否定的。......
"Your life, with its immensity and fear,
...now bounded, now immeasurable,
it is alternately stone in you and star."
(from 'Evening', Rainer Maria Rilke,
translated by Stephen Mitchell)
The State Hermitage. The State Hermitage museum. Official page.
·
The Austrian poet Rainer Maria Rilke wrote about Rembrandt: "Is not that the great mystery of Rembrandt that he wrote of man as a landscape?" Through the means of light and shadow, through which he perceives the essence of the morning or the secret of the evening, he spoke of the life of those he wrote, and at the same time, it grew stronger and wider ... We know quite a bit of Rembrandt's landscapes, and yet he was a landscape painter, perhaps the greatest of all and one of the greatest artists in general.He could paint portraits because he looked deeply at faces, with distant horizon and high clouds th mobile skies ".
This thought of Rilke about visionary travel and country faces is also important because Rembrandt never left his native Holland. He also refused to travel to Rome, the "home of the arts," the center of European artistic life (in the 17th century, a visit to Italy was considered necessary for the completion of education). Here is what the French symbolist artist Odilon Redon wrote about this Rembrandt line:
"... I think that Rembrandt's great style, coming from his heart and his all-encompassing mind, is connected with the tranquility of his immobile life." He never left Amsterdam and advised his students not to go anywhere, even to Italy. to say that immobility creates genius, but it seems to me that his genius, his humane and human vision, would not have gained anything from a heap of impressions far from those models that he always had before his eyes.In diversity, the deep and single, which he He wounded in a secluded refuge of his dreams and thoughts ... ".
Find out what Van Gogh and Gauguin, Auguste Rodin and Henri Matisse wrote, and talked about Rembrandt, Ilya Repin and Vasily Kandinsky. In the article of the Virtual Academy "About Rembrandt" we have collected for you the most interesting statements! http://bit.ly/2Ne1aF0
Австрийский поэт Райнер Мария Рильке писал о Рембрандте: "Не в том ли величественная тайна Рембрандта, что он писал человека как пейзаж? Средствами света и тени, с помощью которых постигают сущность утра или тайну вечера, говорил он о жизни тех, кого писал, и при этом она крепла и ширилась… Мы знаем совсем немного пейзажей Рембрандта, и все-таки он был пейзажист, быть может, величайший из всех и один из величайших художников вообще. Он умел писать портреты потому, что глубоко вглядывался в лица, как в страны с дальним горизонтом и высоким облачным подвижным небом".
Эта мысль Рильке о визионерских путешествиях и лицах-странах важна еще и потому, что Рембрандт никогда не покидал родной Голландии. Отказался он и от поездки в Рим, на "родину искусств", в центр художественной жизни Европы (в XVII веке посещение Италии считалось необходимым условием завершения образования). Вот что пишет об этой рембрандтовской черте французский художник-символист Одилон Редон:
"...Я думаю, что великий стиль Рембрандта, исходящий из его сердца и его всеобъемлющего ума, связан со спокойствием его неподвижной жизни. Он никогда не покидал Амстердама и своим ученикам не советовал куда-нибудь ездить, даже в Италию. Я не хочу сказать, что неподвижность создает гения, но мне кажется, что его гениальность, его гуманное и человеческое видение ничего не приобрели бы от нагромождения впечатлений, далеких от тех моделей, которые были всегда у него перед глазами. В разнообразии рассеялось бы то глубокое и единственное, которое он хранил в уединенном убежище своих сновидений и мыслей...".
Узнайте, что писали и говорили о Рембрандте Ван Гог и Гоген, Огюст Роден и Анри Матисс, Илья Репин и Василий Кандинский. В статье Виртуальной Академии "О Рембрандте" мы собрали для вас самые интересные высказывания! http://bit.ly/2Ne1aF0
奧地利詩人rainer maria包寫了關於倫勃倫的故事不是倫勃倫的雄偉謎團, 他把一個男人當成景觀 通過光和陰影, 今天上午的本質或晚上的奧秘, 他談到了那些寫過的人的生活, 在她鞏固和成長的時候... 我們知道很多倫勃倫的風景 但他是個畫家, 可能是最棒的, 也是最偉大的藝術家之一. 他能夠寫肖像, 因為他深深地看著的面孔, 像在國家的地平線和高無雲移動天空".
包關於vizionerskih旅行和面孔的想法也很重要, 因為倫勃倫從未離開過本地荷蘭. 他拒絕和從旅行到羅馬, 到"藝術 的 家園"到歐洲藝術生活中心(在世紀, 義大利的訪問被認為是一個先決條件, 這是關於這個rembrandtovskoj線 法國畫家-象徵odilon redon:
"... 我認為偉大的倫勃倫風格來自他的心, 他的綜合思想與他固定生活的平靜聯絡在一起. 他從不離開阿姆斯特丹, 他的學生沒有建議任何地方騎車, 甚至去義大利. 我不想說, 無所作為創造了一個天才, 但在我看來, 他的天才, 他的人性和人類願景不會從沒有印象的情況下獲得任何東西, 遠離那些總是在他眼前的模特. 在多樣性中, 他在他的夢想和想法中保持了與世隔絕的避難所...".
瞭解關於rembrandt van gogh和藝術, auguste羅丹和亨利·馬蒂斯, 伊利亞· repin和瓦西里· kandinsky的寫和談論. 在虛擬學院"關於 rembrandt"的文章中, 我們為你收集了最有趣的說法! Http://bit.ly/2Ne1aF0
包關於vizionerskih旅行和面孔的想法也很重要, 因為倫勃倫從未離開過本地荷蘭. 他拒絕和從旅行到羅馬, 到"藝術 的 家園"到歐洲藝術生活中心(在世紀, 義大利的訪問被認為是一個先決條件, 這是關於這個rembrandtovskoj線 法國畫家-象徵odilon redon:
"... 我認為偉大的倫勃倫風格來自他的心, 他的綜合思想與他固定生活的平靜聯絡在一起. 他從不離開阿姆斯特丹, 他的學生沒有建議任何地方騎車, 甚至去義大利. 我不想說, 無所作為創造了一個天才, 但在我看來, 他的天才, 他的人性和人類願景不會從沒有印象的情況下獲得任何東西, 遠離那些總是在他眼前的模特. 在多樣性中, 他在他的夢想和想法中保持了與世隔絕的避難所...".
瞭解關於rembrandt van gogh和藝術, auguste羅丹和亨利·馬蒂斯, 伊利亞· repin和瓦西里· kandinsky的寫和談論. 在虛擬學院"關於 rembrandt"的文章中, 我們為你收集了最有趣的說法! Http://bit.ly/2Ne1aF0
沒有留言:
張貼留言