今晚公視3台8點 建築藝術的背景資料。
幾年前巡迴展在北美館有展。作品集已是磚頭般。
2017年6月5日 星期一
The Mystery of Thomas Heatherwick’s Top-Secret Hudson Yards Project
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BB: Collaboration is a very strong element in your work. How do you choose the people you work with?
TH: The most important thing to me is the way someone brings out the best in others. I don’t produce sketches and hand them out to others to develop. Instead, we all talk and think and work together to grow the best solutions to the problems we are given and perceive around us. To me, it’s romantic; to someone looking from the outside, they might see it as a slow and painful process. But when you work well with someone else, it is amazing to find ideas and solutions exponentially growing in front of you.
TH: The most important thing to me is the way someone brings out the best in others. I don’t produce sketches and hand them out to others to develop. Instead, we all talk and think and work together to grow the best solutions to the problems we are given and perceive around us. To me, it’s romantic; to someone looking from the outside, they might see it as a slow and painful process. But when you work well with someone else, it is amazing to find ideas and solutions exponentially growing in front of you.
BB: What projects are in the pipeline?
TH: We have lots going on in Singapore. As well as a new residential buildingcurrently under construction, we’re also designing a new terminal at Changi Airport with KPF. It’s a really exciting opportunity to try and break away from the soullessness and sterility that we’ve come to expect from typical airport environments.
TH: We have lots going on in Singapore. As well as a new residential buildingcurrently under construction, we’re also designing a new terminal at Changi Airport with KPF. It’s a really exciting opportunity to try and break away from the soullessness and sterility that we’ve come to expect from typical airport environments.
Eden, Heatherwick Studio’s residential project in Singapore. Photography: Swire Properties
BB: Do you miss the physical processes of making things?
TH: I started making things from an early age and, as a result, I feel it is something deep within me. You can’t take it away. It’s like skiing – if you learn to ski but never ski again, you will still know how to ski. You’ve got it in your bones! For the first 30 years of my life, I was making all the time. It was the only way for any of my ideas to happen. Now I’m lucky to have incredible collaborators who help me make and develop ideas.
TH: I started making things from an early age and, as a result, I feel it is something deep within me. You can’t take it away. It’s like skiing – if you learn to ski but never ski again, you will still know how to ski. You’ve got it in your bones! For the first 30 years of my life, I was making all the time. It was the only way for any of my ideas to happen. Now I’m lucky to have incredible collaborators who help me make and develop ideas.
BB: What would you like to be remembered for?
TH: What I’m trying to do with the studio is to help make places that bring out the best human connections between people. With the phenomenal success of globalised building procurement, so many cities are increasingly becoming more and more sterile and similar to each other. This is a serious issue – and it’s exciting when you feel you can touch people and make a real difference. §
TH: What I’m trying to do with the studio is to help make places that bring out the best human connections between people. With the phenomenal success of globalised building procurement, so many cities are increasingly becoming more and more sterile and similar to each other. This is a serious issue – and it’s exciting when you feel you can touch people and make a real difference. §
As originally featured in the May 2019 issue of Wallpaper* (W*242)
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