2018年10月10日 星期三

Dutch museums discover 170 artworks stolen by Nazis.第三帝國的藝術博物館：希特勒與「林茨特別任務」The Führermuseum ( Leader's Museum), also referred to as the Linz art gallery,



THEGUARDIAN.COM
Dutch museums discover 170 artworks stolen by Nazis
Forty-two institutions have identified items that were taken from Jewish families


-----

第三帝國的藝術博物館：希特勒與「林茨特別任務」

是一部另類的藝術史，它不只是告訴讀者希特勒的「林茨特別任務」是如何的黑暗和罪惡，更重要的是揭示了一個戰時藝術品流通的鏈條是如何運作的，以及其中獨裁領袖、下屬執行機構、藝術史學者、畫商、藝術中介入、藝術品原物主等在各個環節中所扮演的角色和背后的原因。可以說，多數藝術品的來源並非主動盜搶：第三帝國的臣民踴躍捐獻，但卻因為達不到要求而被拒收；猶太收藏人為了自保，主動賣畫並為這項任務積極工作；歐洲各國的藝術品商人為了大價錢爭相賣畫給德國，甚至為了戰后交易作廢以便回收藝術品而拒開發票……今天來看這段歷史，沒有任何一方能置身事外，連站在道德立場的同盟國在戰后處理藝術品的歸還工作時，也沒能抵擋住誘惑，他們無不在公、在私地用盡手段，從特別任務的收藏中撈取好處，土耳其甚至還冒認原本不屬於自己的文物。德國歷史學家羅爾利用一份財產目錄，首次精確地分析了希特勒及其代理人的收藏計划。一份遺物清單顯示，191件收藏品在1945年后不翼而飛，《第三帝國的藝術博物館:希特勒與”林茨特別任務”》所附的圖片就是它們最后的身影。

目錄

鳴謝
一、林茨收藏的研究
二、作為畫家和藝術品收藏人的「元首」
三、注入舊收藏中的新血液——維也納序幕
四、漢斯·波色年代——幻景和攫獲
五、赫爾曼·福斯年代——「元首」的主管
六、同盟國對藝術品的管理
七、美國大兵是藝術品劫匪嗎？
八、林茨特別任務的收藏
九、藝術品的來源和提供
十、藝術品商人——幫凶和同謀
十一、藝術品的下落——歸還
十二、收藏者的風格
十三、林茨特別任務——幻景和罪行
附錄 遺失的林茨特別任務的藝術品目錄
譯后記

From Wikipedia, the free encyclopedia
Jump to navigationJump to search

A model of Adolf Hitler's planned Führermuseum in Linz, Austria, designed by Roderich Fick based on Hitler's sketches.
The design of the Führermuseum was based in part on the Haus der Deutschen Kunst in Munich, shown above. Built in 1933-37 and designed by Paul Ludwig Troost, with considerable input from Hitler, the Haus was one of the first monumental structures built during the Nazi era.
A model of the European Culture Center; the facade of the Führermuseum can be seen at the center of the image, near the top, facing the camera
The Führermuseum (English, Leader'sMuseum), also referred to as the Linz art gallery, was an unrealized art museum within a cultural complex planned by Adolf Hitler for his hometown, the Austrian city of Linz, near his birthplace of Braunau. Its purpose was to display a selection of the art bought, confiscated or stolen by the Nazis from throughout Europeduring World War II. The cultural district was to be part of an overall plan to recreate Linz, turning it into a cultural capital of Nazi Germanyand one of the greatest art centers of Europe, overshadowing Vienna, for which Hitler had a personal distaste. He wanted to make the city more beautiful than Budapest, so it would be the most beautiful on the Danube River, as well as an industrial powerhouse and a hub of trade; the museum was planned to be one of the greatest in Europe.[1][2]
The expected completion date for the project was 1950, but neither the Führermuseum nor the cultural center it was to anchor were ever built. The only part of the elaborate plan which was constructed was the Nibelungen Bridge, which is still extant.[3]
張貼者： 於

沒有留言:

張貼留言

訂閱： 張貼留言 (Atom)