2014年10月23日 星期四

Postproduction (2001) By Nicolas Bourriaud

From Wikipedia, the free encyclopedia

Nicolas Bourriaud (born 1965) is the Director of the École Nationale Supérieure des Beaux-Arts, an art school in Paris, France.[1]
He co-founded, and from 1999 to 2006 was co-director of the Palais de Tokyo, Paris together with Jérôme Sans. He was also founder and director of the contemporary art magazine Documents sur l'art (1992–2000), and correspondent in Paris for Flash Artfrom 1987 to 1995. Bourriaud was the Gulbenkian curator of contemporary art from 2008-2010 at Tate Britain, London, and in 2009 he curated the fourth Tate Triennial there, entitled Altermodern.[2]

Writing[edit]

Main article: Relational Art
Bourriaud is best known among English speakers for his publications Relational Aesthetics (1998/English version 2002) and Postproduction (2001). Relational Aesthetics in particular has come to be seen as a defining text for a wide variety of art produced by a generation who came to prominence in Europe in the early 1990s. Bourriaud coined the term in 1995, in a text for the catalogue of the exhibition Traffic that was shown at CAPC contemporary museum [1] in Bordeaux.
In Postproduction (2001), Bourriaud relates deejaying to contemporary art. He lists the operations discjockeys apply to music and relates them to contemporary art practice.[citation needed]

Books[edit]

  • Playlist. Paris: Palais de Tokyo: Editions cercle d'art, 2004. ISBN 2-7022-0736-7
  • Relational Aesthetics. Paris: Presses du réel, 2002. ISBN 2-84066-060-1
  • Postproduction: Culture as Screenplay: How Art Reprograms the World. New York: Lukas & Sternberg, 2002. ISBN 0-9711193-0-9. Translated by Jeanine Herman.
  • Touch: Relational Art from the 1990s to Now. San Francisco: San Francisco Art Institute, 2002.
  • Formes de vie. L’art moderne et l’invention de soi. Paris: Editions Denoël, 1999. ISBN 2-207-25501-8
  • The Radicant , Sternberg Press, 2009. ISBN 978-1-933128-42-9. Translated by James Gussen and Lili Porten.
  • Radikant. Berlin: Merve, 2009. ISBN 978-3-88396-251-1
  • Altermodern. Tate, 2009. ISBN 978-1-85437-817-0

Curated exhibitions[edit]

  • Courts Métrages Immobiles, Venice Biennale, 1990
  • Aperto '93, Venice Biennale, 1993
  • Commerce, Espace St Nicolas, Paris, 1994
  • Traffic, Capc Bordeaux, 1996
  • Joint Ventures, Basilico Gallery, New York, 1996
  • Le Capital, CRAC Sète, 1999
  • Contacts, Kunsthalle Fri-Art, Fribourg, Switzerland, 2000
  • Négociations, CRAC, Sète, 2000
  • Touch, San Francisco Art Institute, 2002
  • GNS (Global Navigation System), Palais de Tokyo, Paris, 2003
  • Playlist, Palais de Tokyo, Paris, 2004
  • Notre Histoire, Palais de Tokyo, Paris, 2006
  • Moscow Biennale, 2007 (with Backstein, Boubnova, Birnbaum, Obrist, Martinez)
  • Estratos, Murcia, 2008.
  • The Tate Triennial 2009: Altermodern, Tate Britain, London, 2009
  • "Athens Biennial 2011 : Monodrome".

References[edit]

  1. Jump up^ ANA Nicolas Bourriaud – new director of École Nationale Supérieure des Beaux-Arts 3 November 2011
    Jump up^ Frieze Magazine | Archive | Nicolas Bourriaud

External links[edit]


List of selected curated shows and photo
Talk: Today's Art Practice
"Islets" and Utopia
Object lessons: Nicolas Bourriaud on Pierre Restany
McCollum's Aura: Nicolas Bourriaud on Allan McCollum
On Altermodernity. Nicolas Bourriaud in an interview

後製品
作者 : （法）尼古拉·布里奧
出版社:金城出版社
副標題:文化如劇本：藝術以何種方式重組當代世界
譯者 : 熊雯曦
出版年: 2014-7
頁數: 128
RMB定價: 39.8元
裝幀:精裝
叢書: 蜜蜂文庫·當代藝術
ISBN: 9787515510989
《後製品》是國際知名藝術評論家、策展人尼古拉•布里奧繼《關係美學》之後的又一力作。
從20世紀90年代初以來，越來越多的藝術家通過翻譯、再現、重新展出和利用別人的作品或一些文化產品來製作自己的作品，布里奧審視了這種藝術潮流和觀念。《後製品》回應了在信息化時代，全球文化迅速發展的混亂現象，原創的觀念在這種新文化風景中變得模糊起來。
《後製品》從物品的使用、形態的使用、世界的使用和適應全球文化四個部分，探討後製品的起因、類型、製作過程和意義。

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