2014年10月4日 星期六

The Sight of Death:An Experiment in Art Writing by T. J. Clark

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  1. Nicolas Poussin | Landscape with a Man killed by a Snake ...

    www.nationalgallery.org.uk/paintings/nicolas-poussin-landscape-with-a-...

    View: Nicolas Poussin, Landscape with a Man killed by a Snake. Read about this painting, learn the key facts and zoom in to discover more.
  2. Landscape with a Man Killed by a Snake | artble.com

    www.artble.com/...poussin/paintings/landscape_with_a_man_killed_by_...

    In the immediate foreground, a giant snake smothers a pale green corpse; ... Poussin's painting was completed on August 31, 1648 for the French banker and  ...

    • Image result for poussin snake painting
    • Image result for poussin snake painting
    • Image result for poussin snake painting
    • Image result for poussin snake painting
https://www.youtube.com/watch?v=hLF13KY8o3s
  1. Landscape with a Calm (Getty Museum) - The Getty

    www.getty.edu/art/gettyguide/artObjectDetails?artobj=113640

    In the late 1640s and early 1650s, at the height of his artistic maturity, Nicolas Poussinturned from historical narrative to landscape painting. Landscape with a  ...

    • Image result for landscape with a calm nicolas poussin
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  • Sep 01, 2006
    192 p., 210 x 150
    17 b/w + 33 color illus.
    ISBN: 9780300117264
    Cloth
《瞥見死神》張雷譯,南京:江蘇美術,2012

The Sight of Death

An Experiment in Art Writing

  • T. J. Clark
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Out of Print.

Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions—and many more—in ways that steer art writing into new territory.

In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark’s meditations—sometimes directly personal, sometimes speaking to the wider politics of our present image-world—track the experience of viewing art through all its real-life twists and turns.
T. J. Clark is George C. and Helen N. Pardee Chair at the University of California, Berkeley, and author of several books including the highly influential volume, The Painting of Modern Life: Paris in the Art of Manet and his Followers

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