Other impressionists, especially Edouard Manet and Edgar Degas, favored the theme of the café, though they generally depicted the women seen there. Gustave Caillebotte instead inserted a male subject, a recurring substitution in his oeuvre.
Gustave Caillebotte, "At a Café," 1880, oil on canvas, Musée d'Orsay, Paris, on deposit at musée des Beaux-arts de Rouen
Gustave Caillebotte, "Fruit Displayed on a Stand," c. 1881-1882, oil on canvas, Museum of Fine Arts, Boston, Fanny P. Mason Fund in memory of Alice Thevin, photograph © 2014, Museum of Fine Arts, Boston
Gustave Caillebotte
Painter
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Gustave Caillebotte was a French painter, member and patron of the group of artists known as Impressionists, though he painted in a much more realistic manner than many other artists in the group.
Wikipedia
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Mr. Shorenstein amassed with his late wife, Phyllis, included Gustave Caillebotte's cheery river view from 1882, "The Seine at Argenteuil." The work sold to an anonymous American dealer bidding over the telephone for $5.1 million, just over its low estimate with fees.
Stanley Meisler, writing in the “Los Angeles Times:”
"In the late 19th century, everyone looked on Gustave Caillebotte as a leading painter of the Impressionists. He took part in five of the eight exhibitions that the Impressionists mounted. In fact, he organized and helped finance several of the shows. One displayed more than 25 of his paintings; another greeted visitors in the opening room with his stunning depictions of the new Paris. Caillebotte, a wealthy man, also purchased many paintings by his colleagues. He continually loaned money to an impoverished Claude Monet and paid the rent for his studio."
Happy Bastille Day! If any of our local friends are attending
PAUL USA’s 5th annual baguette race in Penn Quarter, what better way to finish off the experience than by enjoying visions of Paris in "Gustave Caillebotte: The Painter's Eye.”
And for our friends and followers around the globe, we will continue to bring highlights from the exhibition to you!
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Our beloved painting “On the Pont de l’Europe,” by Gustave Caillebotte, depicts the bridge overlooking the historic Saint-Lazare train station. However, this summer, the painting will overlook our nation’s capital as it travels to the National Gallery of Art in Washington, D.C., as a part of the exhibition “Gustave Caillebotte: The Painter’s Eye.” The exhibition will then come to Fort Worth in November.
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