Art and Design: Pierrot Lunaire, Ars gratia artis - mutatis mutandis. Latin Phrases in Common Usage in English

2019年5月12日星期日

Pierrot Lunaire, Ars gratia artis - mutatis mutandis. Latin Phrases in Common Usage in English

Pierrot Lunaire
Melodrama by Arnold Schoenberg
Self-portrait by Schoenberg, 1910
Full	Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire"
Opus	Op. 21
Style	Free atonality
Text	Albert Giraud's Pierrot lunaire
Language	German
Composed	1912
Duration	About 35 to 40 minutes
Movements	21
Scoring	Pierrot ensemble plus reciter
Premiere
Date	16 October 1912
Location	Berlin Choralion-Saal
Conductor	Arnold Schoenberg
Performers	Albertine Zehme (voice) Hans W. de Vries (flute) Karl Essberger (clarinet) Jakob Malinjak (violin) Hans Kindler (cello) Eduard Steuermann (piano)

Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire'"), commonly known simply as Pierrot Lunaire, Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated to German by Otto Erich Hartleben.

The work is written for reciter (voice-type unspecified in the score, but traditionally performed by a soprano) who delivers the poems in the sprechstimme style accompaniedby a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder,^[1] which was a fashionable musical style popular at the end of the nineteenth century.^[2] Though the music is atonal, it does not use Schoenberg's twelve-tone technique, which he did not first use until 1921.

Pierrot lunaire is among Schoenberg's most celebrated and frequently performed works. Its instrumentation – flute, clarinet, violin, cello, and piano with standard doublings and in this case with the addition of a vocalist – is an important ensemble in 20th- and 21st-century classical music and is referred to as a Pierrot ensemble.

The piece was premiered at the Berlin Choralion-Saal on October 16, 1912, with Albertine Zehme as the vocalist. A typical performance lasts about 35 to 40 minutes.