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參考資料[編輯]
- 錢仲聯主編《中國文學家大辭典清代卷》（北京：中華書局，1996年），頁429-430。
Wikimedia Commons has media related to Gai Qi.
Gai Qi (Chinese: 改琦; zi Bowen 伯蕰, hao Qiliang七郎, secondary hao Yuhu waishi 玉壶外史 1774-1829) was a poet and painter born in western China during the Qing dynasty. As an artist, he was active in Shanghai. In painting his works mainly concerned plants, beauty, and figures. However he also did numerous landscapes. In poetry he preferred the rhyming ciform and added such poems to his paintings.
His social circle included prominent literati as well as artists. He organized both a literary society and a Buddhist lay society. His work often used a delicate baimiao (outline) style, which can be clearly see in his illustrations for Honglou meng, (Dream of the Red Chamber).[1] The illustrations are chiefly portraits of the main characters in the novel. Numerous poets, including the renowned woman poet Zhou Qi, wrote poems to accompany the illustrations.[2]
The scholar Wang Qisun 王岂孙 commissioned Gai Qi to paint an album of famous Chinese women, both historical and legendary. Wang's second wife, Cao Zhenxiu 曹贞秀 wrote poems about the women and did the calligraphy in the album.[3] Gai took as a student the talented woman painter and poet Qian Shoupu 錢守璞(ca. 1801-1869).[4] He was associated with the painter Fei Danxu 费丹旭 in what has been called the "Gai Fei" school. Gai's grandson continued the tradition of the Gai Fei school, along with descendants of Fei Danxiu.[5] He is perhaps best known today for the Hongloumeng tiyong, a book of portraits of characters in Dream of the Red Chamber accompanied by poems about the characters. The book was based on paintings done by Gai Qi, but was not published until 1884, long after its death. The book is still in print.
- 錢仲聯主編《中國文學家大辭典清代卷》（北京：中華書局，1996年），頁429-430。
| Wikimedia Commons has media related to Gai Qi. |
Gai Qi (Chinese: 改琦; zi Bowen 伯蕰, hao Qiliang七郎, secondary hao Yuhu waishi 玉壶外史 1774-1829) was a poet and painter born in western China during the Qing dynasty. As an artist, he was active in Shanghai. In painting his works mainly concerned plants, beauty, and figures. However he also did numerous landscapes. In poetry he preferred the rhyming ciform and added such poems to his paintings.
His social circle included prominent literati as well as artists. He organized both a literary society and a Buddhist lay society. His work often used a delicate baimiao (outline) style, which can be clearly see in his illustrations for Honglou meng, (Dream of the Red Chamber).[1] The illustrations are chiefly portraits of the main characters in the novel. Numerous poets, including the renowned woman poet Zhou Qi, wrote poems to accompany the illustrations.[2]
The scholar Wang Qisun 王岂孙 commissioned Gai Qi to paint an album of famous Chinese women, both historical and legendary. Wang's second wife, Cao Zhenxiu 曹贞秀 wrote poems about the women and did the calligraphy in the album.[3] Gai took as a student the talented woman painter and poet Qian Shoupu 錢守璞(ca. 1801-1869).[4] He was associated with the painter Fei Danxu 费丹旭 in what has been called the "Gai Fei" school. Gai's grandson continued the tradition of the Gai Fei school, along with descendants of Fei Danxiu.[5] He is perhaps best known today for the Hongloumeng tiyong, a book of portraits of characters in Dream of the Red Chamber accompanied by poems about the characters. The book was based on paintings done by Gai Qi, but was not published until 1884, long after its death. The book is still in print.
The Metropolitan Museum of Art, New York
In the latest episode of MetCollects, Assistant Curator Joseph Scheier-Dolberg takes a first look at the album “Famous Women,” a quietly audacious collaboration between the Qing dynasty author Cao Zhenxiu and painter Gai Qi.
Cao Zhenxiu, Gai Qi, Qing dynasty, China, painting, department of asian art, asian art, famous women
METMUSEUM.ORG
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