2016年2月3日 星期三

Pompeo Girolamo Batoni (1708-1787)

From Wikipedia, the free encyclopedia
Pompeo Girolamo Batoni
Pompeo-batoni-painting-self-portrait.jpg
Pompeo Girolamo Batoni. Self portrait, 1773-1774. Galleria degli UffiziFlorence
Born25 January 1708
Lucca
Died4 February 1787 (aged 79)
Rome
NationalityItalian
EducationAgostino MasucciSebastiano Conca
Known forpainter
Spouse(s)Caterina Setti, Lucia Fattori
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their Grand Tour, made the artist specialized in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such "Grand Tour" portraits by Batoni were in British private collections, thus ensuring the genre's popularity in the United Kingdom. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention of his rivalry with Anton Raphael Mengs.
In addition to art-loving nobility, Batoni's subjects included the kings and queens of Poland, Portugal and Prussia, the Holy Roman Emperors Joseph II and Leopold II (a fact which earned him noble dignity), as well the popes Benedict XIVClement XIII and Pius VI,Elector Karl Theodor of Bavaria and many more. He also received numerous orders for altarpieces for churches in Italy (Rome, Brescia, Lucca, Parma, etc.), as well as for mythological and allegorical subjects.
Batoni's style took inspiration and incorporated elements of classical antiquity, French RococoBolognese classicism, and the work of artists such as Nicolas PoussinClaude Lorrain and especially Raphael. As such Pompeo Batoni is considered a precursor of Neoclassicism.

沒有留言: